imperial college logo for thesis

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• University Logos

The Imperial College London Logo History, Colors, Font, And Meaning

• BY Bogdan Sandu
• 5 June 2024

Imagine unraveling a tale woven into the very fabric of a tapestry as prestigious as the  Imperial College London logo .

It’s a saga that transcends mere graphic design; it’s the embodiment of heritage, innovation, and academic pursuit.

Deciphering this emblem isn’t just about appreciating its visual appeal; it’s to navigate the confluence of history, identity, and the relentless quest for knowledge.

Here, we embark on a journey to explore the intricate stitches that compose the university’s emblem, a symbol that reflects not only its esteemed standing among  top-ranked universities  but also its  brand identity  crafted through excellence.

This unveiling will serve as your compass through the rich narrative etched within  Imperial’s iconic logo .

Delve into the origins of this  academic heraldry , the genius behind its conception, and why it resonates so profoundly across the globe.

Equipped with insight from years within the realms of design, I’ll dismantle the layers, inviting you to grasp how this  visual identity  captures the essence of one of the  world’s leading engineering schools .

By article’s end, you will have mastered the significance of this emblem that is much more than an  academic institution monogram —it is  Imperial College’s banner  of inspiration and a beacon of scholastic pride.

The Meaning Behind the Imperial College London Logo

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• Bogdan Sandu
• 30 April 2024

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Imperial College London Imperial College London

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Thesis Submission

The culmination of your hard work is when you get the opportunity to present the novel findings of your research in the form of a thesis and then defend them at a viva.

They highlight all that you have learned and how you have developed intellectually during the course of your study. Your thesis is probably going to be the biggest body of writing you have ever written by this point, and, along with your viva, will be an exciting but challenging experience you will probably never forget!

And you need to plan for this moment:

• To be able to submit your thesis, you need to complete your examination entry on MyImperial no later than 44 months after the initial date of your registration and at least four months before you submit your thesis. This allows the College to appoint your nominated examiners as well as confirming you have completed all your markers and milestones.
• Together with your supervisor, you should talk about suitable examiners, both internal and external
• Details of what is required are available on the College website , but you will also receive further guidance from your department and your supervisor .

 Imperial College London has an Open Access policy in relation to its students’ theses. This means that when you finish your thesis, it will be made publicly available through the Imperial’s open access repository, Spiral . Since the thesis will be openly accessible it is important that copyright laws are not infringed through use of material copyrighted by journals.

In some cases, it may be necessary to delay the release of a thesis to the public - this is referred to as an embargo. This can apply when the thesis involves specific intellectual property (IP). Intellectual property is the term used to describe creative outputs from scientific, engineering, literary and artistic endeavours that can be legally protected - such as the results arising from research.

If you want advice on preparing your thesis, your supervisor will be able to suggest support and resources for you; below you can find some key resources and workshops that you may find helpful.

The Library have abundant information in their Preparing your Thesis for Submission webpages offering help and support on every step of the process.

The Library also have further details on:

• Copyright Guidance
• Requesting embargoes
• Reproducing published extracts, images, figures, etc.
• Your rights to publishing material from your thesis

The Graduate School offers:

• Preparing for Thesis Submission, Examination and Open Access Q&A session  - in collaboration with the Library.
• Thesis workshop
• Thesis writing retreat
• Intellectual Property - online course
• Publishing Open Access: Your research and thesis  workshop

Registry also offer guidance in relation to your thesis submission both prior to your viva and your final thesis submission after your viva.

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Imperial College London

Imperial College embodies and delivers world class scholarship, education and research in science, engineering and medicine, with particular regard to their application in industry, commerce and healthcare. We foster interdisciplinary working internally and collaborate widely externally. To remain amongst the top tier of scientific, engineering and medical research and teaching institutions in the world. To develop our range of academic activities to meet the changing needs of society, industry and healthcare. To continue to attract and develop the most able students and staff worldwide. To establish our Business School as one of the leading such institutions in the world. To communicate widely the significance of science in general, and the purpose and ultimate benefits of our activities in particular.

Download the vector logo of the Imperial College London brand designed by Super Cluster in Encapsulated PostScript (EPS) format. The current status of the logo is active, which means the logo is currently in use.

Downloading this artwork you agree to the following:

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This is a generic LaTeX template for dissertations (layout according to Imperial College London).

fmilthaler/Thesis-LaTeX-Template

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Thesis-latex-template.

This template aims at students of any degree (Bachelor, Master, PhD) who start writing up their thesis in LaTeX.

The overall layout is pleasant, stylish yet classic and fulfills the layout regulations at Imperial College London. It is quite generic, thus it is useful for dissertations at any University with minor adjustments to the layout to conform with your University's layout regulations.

Knowledge of how to use LaTeX is a prerequisite, while knowledge of Makefiles is optional.

Table of contents

The makefile, file structure.

• Supports PDFLaTeX, LuaLaTeX
• Customised Page layouts , Header and Footer styles
• A Nomenclature with subgroups
• Examples of fancy figures (using Ti k Z/PGFPlots) and tables (using PGFPlotsTable), as well as support for very large tables that need to be rotated to fit on a page.
• File structure to separate files of different chapters
• A Bash script automatically includes all your .bib files in one file references/references.tex , that way you can organise and split your references across several .bib files without keeping track of them (without manually updating \bibliography{...} in your .tex file)
• creating your thesis as a pdf,
• automatically detecting changes in references and automatically re-running LaTeX on your document again (only if required), until all references (in bibliography or to floating objects) are resolved.
• automatically detecting changes in the nomenclature (if present) and building/updating the nomenclature if and only if changes were found , in order to ensure minimal compile time .
• creating separate image files (e.g. with Ti k Z/PGFPlots) stored in subdirectories (in order to separate compilation of document from result plots done in PGFPlots; depending on the complexity of your result plots, this has the potential to drastically reduce the compile time of your document/thesis),
• the structure of directories/Makefiles allows you to simply create more Ti k Z/PGFPlots graphics by placing their corresponding standalone LaTeX source files in the images subdirectories of the chapter directories, the Makefile hierachy in place automatically finds and compiles those for you,
• print out warnings from LaTeX output files,
• spellcheck your .tex files,
• search a pattern in all your .tex files (in all subdirectories) to quickly find a certain pattern,
• perform a word count on your document,
• clean your directory (and subdirectories) from output files

How to use it

• Use a Linux/Mac OS X system (Windows works, but the Makefiles/bash script won't work there)
• Make sure you have a LaTeX distribution installed on your system, e.g. TeXLive
• Download the repository from GitHub
• In the main directory, execute make fullthesis on the command-line (for Linux/Mac OS X users, Windows users are required to compile the files manually, sorry). fullthesis will not only compile your document, but will also compile some standalone Ti k Z graphics that are then included in your document/thesis.
• Open thesis.pdf with a PDF reader of your choice, e.g. evince .
• Now go in and edit and add files, start with ./preamble/myinformation.tex and ./thesis.tex , e.g. set your name, university, title etc.
• With the first few changes in the text, execute make (or make thesis ) on the command-line. This will not compile the aforementioned graphics in subdirectories, but will only recompile your main document/thesis thesis.tex .
• If you need to adjust some layout settings: you can find/adjust these in ./preamble/preamble.tex , below the definition of the documentclass .

As mentioned above, one of the main features of this template is the comprehensive use of recursive Makefiles.

Each target is executed on the command-line with make <target-name> .

The most frequently used - and the ones you should definitely know about - targets are:

• thesis : this target compiles your main document thesis.tex , it also runs through BibTeX to sort out your bibliography. Moreover, it automatically detects changes in references/labels/citations and recompiles your target if required in order to resolve those changes. It does expect all images included in the document to be present (see target imagedirs below). Finally, it automatically detects a nomenclature, and if so, it also detects if changes were made to it. If both criteria are satisfied, the document is automatically updated to reflect the changes in the nomenclature.
• fullthesis : in case of you separating the compilation of some plots/graphics from your main document (in order to save compile time), those Ti k Z graphics/PGFPlots need to be compiled ( before you run make thesis and obviously every time you make changes to those graphics/plots. fullthesis invokes another target called imagedirs that takes care of thos graphics/plots. It compiles all standalone texfiles resulting in .pdf files in subdirectories images . Those pdf files can then be included in the main document. After that step, fullthesis invokes thesis to compile the main document.

For those who want to know more, and might want to make some changes to the Makefile , here is a more detailled and technical description of all targets:

• ref : executes the target references in ./references/Makefile , which in turn executes the bash script ./references/create_bib_list.sh which collects the names of all .bib files in ./references/ and includes them in a newly created file ./references/references.tex . This can be included in your main LaTeX file (here: thesis.tex ); example: imagine you have A.bib , B.bib , C.bib in the directory ./references/ , make ref creates ./references/references.tex which has the following LaTeX command in it: \bibliography{references/A,references/B,references/C} . Note: Do not manually edit references/references.tex as it is automatically overwritten by the script every time you compile your thesis.
• run : runs LaTeX (by default: pdflatex ) on thesis.tex ; all required files, such as image files are required/expected to be in place, otherwise this operation will fail.
• bib : first executes ref , then: if thesis.aux does not exist, it executes run , followed by BibTeX ( bibtex thesis )
• index : executes makeindex ${THESIS}.nlo -s nomencl.ist -o ${THESIS}.nls , required for building a nomenclature.
• thesis : first it executes run , bib and nomtest in that order; then the logfile thesis.log is scanned for references of missing/changed citations, multiple/changed labels, and rerun suggestions, and executes run at each check of the logfile; finally, after having finished the checks and reruns, it prints out the warnings LaTeX provides in its logfile by executing make warnings (see below)
• imagedirs : executes the target all in each subdirectory defined in IMAGEDIRS (this variable is defined in this Makefile); this is useful if some images are done with Ti k Z/PGFPlots, thus you can create standalone pdf files (which are vector graphics) of your Ti k Z/PGFPlots graphics that you then include in your main LaTeX document. This target imagedirs allows you to compile all of these graphics to be compiled on the fly. Note: This step is beneficial if you are using PGFPlots to read in lots of data points from data files to create a beautiful plot of your results. This process can take some time, hence you do not want this to be processed every time you change the text in your thesis. As the standalone .pdf graphic is a vector graphic, you do not loose quality.
• fullthesis : executes allclean , imagedirs , ref , thesis in that order; basically it removes all previous output files (in this and subdirectories) and builds your thesis from scratch (including graphics, e.g. Ti k Z/PGFPlots graphics as explained above)
• nomtest : checking if there were changes made on the nomenclature the last time the main document was compiled. If so, it executes make nomupdate . Note : this target ensures a minimal number of LaTeX compilation neccessary to build/update the nomenclature.
• nomupdate : executes index and run in that order. Gets triggered when nomtest found changes in the nomenclature and makes sure the changes are updated in the document.
• warnings : scans the LaTeX logfile thesis.log for warnings and prints out the warnings on the command-line, certain keywords are printed in red for better visibility.
• spellcheck : uses the command-line tool Gnu Aspell ( aspell ) to spellcheck all .tex files in the subdirectories defined in TEXDIRS (this variable is defined in this Makefile); just make sure you keep TEXDIRS up to date when you add more subdirectories with .tex files, and it will find them; by default, the language is set to English (GB), if you need to adjust this, find the option in the file ./common.mk
• texcount : uses the command-line tool TeXcount ( texcount ) as well as ps2ascii ( ps2ascii ) followed by a simple wc -w to determine the word count in your document. Note: both are not very accurate.
• search : searches for a user defined pattern in all .tex files in all subdirectories defined in TEXDIRS (this variable is defined in this Makefile); usage: make search SEARCH=<pattern> .
• clean : removes all output files from the main directory (except for .pdf file(s))
• allclean : first executes clean , then: removes all output files (also .pdf files) from all subdirectories defined in IMAGEDIRS (this variable is defined in this Makefile);

See a list and short description of directories and files in this repository to understand how the files are organised and where to find what.

• Makefile (main Makefile which targets are explained below)
• common.mk (some variable definitions that are used in Makefiles)
• thesis.tex (main .tex file of your document that you run through pdflatex / lualatex , this file consists mainly of \input{<filename>} commands to include the content of your thesis).
• preamble.tex (contains documentclass, usepackage commands)
• layout.tex (defines overall page/text layout, chapter title layout)
• fancyheaders.tex (defines custom header/footer styles using fancyhdr )
• loadlistings.tex (some definitions for printing code)
• myinformation.tex (commands for your name, title, university, etc)
• mycommands.tex (defining custom commands, e.g. mathematical notation)
• nomenclature.tex (defining entries/groups of the nomenclature)
• logo_placeholder.png (placeholder logo)
• titlepage_wo_logo.tex (titlepage without a logo, this is the default)
• titlepage.tex (titlepage with a logo)
• copyright.tex (copyright declaration)
• declaration.tex (declaration of your work)
• abstract.tex (abstract of your thesis)
• acknowledgements.tex (thanking your supervisors, parents, etc)
• quote.tex (optional: include a quote of your choice)
• create_bib_list.sh (bash script: automatically generates a .tex file that includes all present .bib files, just put all your .bib files in this directory, rest is done automatically)
• futuristic_and_mystical.bib
• introduction.tex (your introduction)
• main.tex (text for this chapter)
• fem_basis_function_linear_cg.tex (example of a (standalone) simple Ti k Z graphic)
• fem_basis_function_constant_dg.tex (example of a (standalone) simple Ti k Z graphic)
• rotation_example.tex (example of a (standalone) fancy Ti k Z graphic)
• scientists.csv (example data file)
• example_code.py (python code that is printed as it is)
• 2d_flow_past_cylinder_test_combinations.tex (example of a (standalone) fancy Ti k Z graphic)
• domain_3d_flow_past_sphere.tex (example of a (standalone) fancy Ti k Z graphic)
• velocity-x_interp_0-01.tex (example of a (standalone) PGFPlots plot)
• velocity-x_interp_0-001.tex (example of a (standalone) PGFPlots plot)
• bounded_interp_0-01.csv (example data file)
• bounded_x_0-1_interp_0-0001.csv (example data file)
• boundeddg_interp_0-01.csv (example data file)
• boundeddg_x_0-1_interp_0-0001.csv (example data file)
• void_interp_0-01.csv (example data file)
• voiddg_interp_0-01.csv (example data file)
• parallel_efficiency_table.tex ( .tex file that includes a PGFPlotsTable, file is called by main.tex )
• pgfplot_texfile_parallel_efficiency.tex (example of a (standalone) PGFPlots plot)
• parallel_efficiency_data.pgfdat (example data file)
• pgftablesettings_parallel_efficiency_table.tex (example file for PGFPlotsTable settings)
• summary.tex (text for your summary)
• conclusion.tex (text for your conclusion)
• future_work.tex (text for future work)
• appendix.tex (text for your appendix)

Feel free to ask if you have questions. Other than that, good luck!

• Makefile 9.1%

Rebranding Imperial College London into a household name

What i think works well and less well in the university's updated brand identity.

In this post, I’m going to outline two things I think work well and two things I’m not convinced about in Imperial College London’s rebrand, which is going live from today !

The logo is the focus of this post because, while there’s so much more to a rebrand, the complete brand guidelines haven’t been yet released. For now we have some highlights on their website . And because otherwise this would be way too long.

Rebrands are all about identity , so people’s reactions can be very personal. As an Imperial graduate who was never a fan of their old brand, I’m very happy this rebrand is happening. Still, I will do my best to make this post objective!

Subscribe to receive more fortnightly branding and user experience design deep dives like this!

What needed to change?

After being engaged by Imperial, Pentagram released their brand identity research report last August . These points stood out for me:

The new brand needed to feel “warmer and more human”, less “cold, corporate and dated”, and ignite the idea of “free thinking and imagination”. Interestingly, it was less important for it to feel “‘bold,’ ‘exciting,’ and ‘fast-paced’”, which is unusual for a modern rebrand.

The new brand needed to dial up Imperial’s unique position as a university with a “hyper-focus on STEMMB [Science, Technology, Engineering, Mathematics, Medicine, and Business]”, a “world changing impact”, and access to “the London experience”.

The new brand needed to turn Imperial into a household name to compete better in particular with the more commonly known Oxford and Cambridge in the UK, and Massachusetts Institute of Technology (MIT) and Stanford in the US.

So before I give my thoughts on the new logo, I want to emphasise that I am a big fan of Pentagram’s work and was rooting for them to deliver an awesome result.

Ok, let’s go!

What I think works well

The layout and primary colour choice are much better.

Imperial’s old logo felt visually unbalanced, with two lines of equally-sized, left-aligned text. The two-tone version they phased out a few years ago was arguably more balanced because the hierarchy between the ‘Imperial College’ in the first line and the lighter and more desaturated ‘London’ in the second line was clearer.

The new single-line logo on the other hand is much more balanced and the primary colour is visually more saturated because it has a higher hue value.

Yes, this has been achieved partly by dropping the ‘College London’ segment of the name, reducing the logo text to just ‘Imperial’. But I think this is a tradeoff worth making because it gives the brand room to accommodate endeavours the institution wants to be known for beyond its core higher education offering.

They made a smart font choice

Imperial is a young university at only 117 years old compared to Oxford’s 928 years and MIT’s 163. Heritage is therefore not a central aspect of their public image. So it’s a logical choice to opt for a modern sans-serif font.

And they’ve smartly chosen a font that’s strikingly close to being monospaced, meaning that its letterforms are all designed to be the same width (if it wasn’t for the visibly wider ‘M’ letter in this case). This makes it great for programming and technical documentation where text alignment across rows helps legibility. And it therefore dials up Imperial’s STEMMB image.

The capital “I” also has horizontal bars now rather than being just a vertical stem, which makes it more recognisable as a letter and therefore opens up opportunities to use it as a logo on its own.

What I’m not so convinced about

The letter spacing doesn’t feel right.

When you increase a word’s letter spacing, you instantly elevate its importance because 1) it physically takes up more space and 2) the increased whitespace accentuates the individual letters.

Think of a high end jewellery shop. The most important piece is often placed on its own in a dedicated area that is visually minimalistic. This placement elevates the piece by signalling that it deserves its own space and can afford to leave a lot of free space around it.

So too with the loose letter spacing in Imperial’s new logo. But I don’t think the effect is fully achieved because the combination of this font’s semi-bold weight and straight edged letterforms make the spaces between letters feel abrupt. Loose letter spacing tends to work better with serif fonts because their more organic shapes soften the transition from letter to space to letter again.

The capital “I” might not evoke strong enough brand recognition

While the new capital “I” is more recognisable as a letter than the old one, I’m not convinced it instantly evokes the Imperial brand when used on its own.

While I think there was smart logic behind the choice of font, the letterforms on their own are lack any ornamentation that would have created a strong brand recognition.

Compare it to Figma’s brand typeface which is also a sans-serif but is recognisable by the ‘ink traps’ in its letterforms.

In conclusion

It’s important to put visual identity changes into context.

This logo is just one part of a larger Imperial brand refresh that includes upcoming redesigns of their website and printed materials. The real test of a visual identity is when you start applying it to the most granular elements.

That’s when questions like ‘How should each colour be used?’ and ‘What type sizes and fonts are to be used in titles, body text, and so on?’ come up.

As of today , this exciting process is now in motion! I wish them success.

EDIT: there’s now a part 2!

Imperial's stakeholders give its rebrand a design critique

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Approved by publishing and review experts on SciSpace, this template is built as per for Imperial College Thesis formatting guidelines as mentioned in Imperial College London author instructions. The current version was created on and has been used by 839 authors to write and format their manuscripts to this journal.

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Why is this London university’s new logo so controversial?

4,700 people have signed a petition for the uni to change it

Nearly 5,000 people have signed a petition asking for Imperial College to change its new logo. What’s so offensive about it? You might be wondering. Perhaps it accidentally looks like something obscene ? Or is just plain ugly?

It turns out, people don’t like the new Imperial logo because it’s too simple. It may be ranked the sixth-best university in the world , but Imperial’s graphic design skills are something to be desired. 

The logo, which features ‘Imperial’ written in capitals using a bold, white typeface on a plain royal blue background, was unveiled on Imperial’s South Kensington campus earlier this month. 

Imperial College London has faced criticism over a planned rebrand seen as emphasising “pejorative historical connotations”, with almost 3,000 people signing a petition against the new logo. https://t.co/Oi7rBC2ayO — Times Higher Education (@timeshighered) February 26, 2024

In June 2023 Imperial sent emails to all students asking them to complete a survey and attend focus groups regarding the new logo which was being developed, receiving 350 responses. But now, the students aren't happy. 

Student Anaya Jaffer created the ‘Stop the Imperial College logo’ after the new sign was mocked and became the subject of several memes. According to the online petition, ‘many (if not most) students dislike the new logo; the new colour and font look almost cartoonish and it is not a good representation of the college’.

‘I wasn’t sure if it was real at first,’ Jaffer told Imperial's student newspaper Felix . ‘I was speaking to more and more people about it and realised that everyone shared this strong dislike. When I saw Imperial was already starting to put it up, I realised it’s actually happening – if we don’t want it to happen, we’d better do something now.

‘On the website, it said they had 350 survey responses and over 1,600 video views, which really isn’t that much considering there are around 30,000 staff and students here.’

Other students complained that the dropping of ‘College London’ from the title of the university had too many connotations of imperialism. 

An Imperial College spokesperson said: ‘The team will take any opportunity to hear what people think, to listen, and to answer questions.’

It added that it was ‘absolutely determined to develop a brand identity that serves the whole community.’

What do you think? Should Imperial change its logo, or blithely go on?

Imperial College and Time Out

In more positive news, we at Time Out recently covered how Imperial was the only London uni to make the top ten in Times Higher Education’s ranking of the best universities in the world . The institution was also named one of the UK’s best unis by the  Sunday Times . 

ICYMI: Eight of the world’s best schools are in London .

Plus:  Two famous London universities are merging .

Listen to Time Out’s brilliant podcast ‘Love Thy Neighbourhood’:   the newest episode with Paul Foot in Fitzrovia is out now .

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Profile – Dr Alexi Nott, Imperial College London

Dr Alexi Nott

Lecturer and UK DRI Group Leader

Place of work / study:

Imperial College London

Area of Research:

Epigenomics and dementia

How is your research funded:

UK Dementia Research Institute, The Dunhill Medical Trust and Alzheimer’s Association

Tell us a little about yourself:

I am a Lecturer in the Department of Brain Sciences at Imperial College and a Group Leader at the UK Dementia Research Institute. My research centers on the epigenetic mechanisms that contribute to dementia, using advanced epigenetic tools to explore the genetic risks specific to different cell types and uncover the transcriptional drivers behind gene expression changes in neurodegenerative diseases. I also founded the LGBTQ+ Allies Network within Imperial Brain Sciences, aimed at promoting the visibility of scientists within our community.

Tell us a fun fact about yourself:

Hitched hiked from the University of Bath to Paris with one of my dearest friends.

Why did you choose to work in dementia research?

My motivation for research comes from the growing impact of dementia as our population ages, affecting not only patients but also their families and caregivers in profound ways. Despite recent advancements in Alzheimer’s therapeutics, there is still a long way to go in addressing the full scope of the disease. I believe that epigenetics offers a unique perspective on understanding the disease and holds the potential to uncover new biomarkers and therapeutic targets that could make a real difference.

What single piece of advice would you give to an early career researcher?

Surround yourself with mentors at different stages of their careers to gain diverse perspectives. Stay curious and focus on research that truly excites and fulfills you!

What book are you reading right now? Would you recommend it?

Giovanni’s Room by James Baldwin . This is the first James Baldwin I have read and I will now be reading more!

Favourite ways to unplug and unwind?

Cycling and looking after my plants!

Favourite film of all time?

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Find Alexi Nott on LinkedIn

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Dementia Researcher

Profile – Dr Sam Washer, Wellcome Sanger Institute

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Blog – Tackling the PhD thesis through planning

Congratulations Vincent and Simon!

30 June 2022

Vincent Neo successfully passed his viva, and Simon McKnight submitted his thesis!

We are delighted to celebrate the successful PhD viva of Vincent Neo titled ‘Theory of Polynomial Matrix Eigenvalue Decomposition with Applications to Speech and Acoustics Signal Processing’, and the submission of the thesis of Simon McKnight titled 'Speaker Diarization: Importance of the Modulation Spectrum and Incorporating Uncertainty Modelling’. Vincent will be remaining with us for a period of postdoc research and Simon moves to Cambridge University also as a postdoc. Many  congratulations  to both.

Article text (excluding photos or graphics) © Imperial College London.

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