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Longreads Best of 2020: Essays

Mississippi: A Poem, in Days (Kiese Makeba Laymon, Vanity Fair )

Kiese Makeba Laymon was on a book tour when the pandemic hit in the U.S. In this stunner of a piece that unfolds over 14 days, the author writes on fear, racism, death, and home amid a moment of awakening. We follow along on the journey, from event to event in Ohio and West Virginia, with Laymon’s observations and thoughts interspersed with daily COVID-19 death counts and the latest words or orders from Donald Trump and Mississippi Governor Tate Reeves. It’s a powerful meditation, one that will stop you in your tracks.

We are awakened, I want to believe. 75 miles from the armed confederate statue in Oxford, Emmett Till’s childish body was destroyed. 70 miles from that armed confederate statue, Fannie Lou Hamer was nearly beaten to death. 160 miles from that armed confederate statue, Medgar Evers was murdered as he enters his home. 80 miles from that armed confederate statue, Martin Luther King was murdered in Memphis. It took way too much Black death to get here. I am wandering around the spiritual consequences of materially progressing at the expense of Black death. I want to be courageous. I wonder, though, when courage becomes contagious—when courage is credentialized, subsidized, and incentivized—if it is still courage at all. Today, as I prepare to push send, and I lather my hands in sanitizer, it feels a bit too much like cowardice. Maybe I’ll wait to send tomorrow. Maybe I won’t send at all. The Lafayette County Board of Supervisors, a group of white men, unanimously vote to keep the armed confederate monument in the middle of Oxford, the town where I live, teach, and write. Humiliation, agony, and death, are what I feel. It could all be so much worse, is what the worst of white folks want us to recite.

Molly (Blake Butler, The Volta )

December’s special issue of The Volta is dedicated to the late poet Molly Brodak, and Brodak’s husband, Blake Butler, writes an incredibly moving essay to remember and honor her. In “Molly,” he weaves an intimate portrait of his late wife — and the details, textures, and expanse of their relationship –with so much love and care. Grab a tissue before sitting down to read it.

Making her laugh made me feel alive, like I’d really accomplished something. She wanted to laugh, I think, despite a widening parcel in her telling her that laughter in a world like ours was for fools. When I think the sound of it now, it reminds me of a bird trapped in a ballroom, looking for anywhere to land.

But there was always something still there underneath that, shredding its pasture—parts of her so dark and displaced I cannot find them anywhere touching the rest of how she was. The story, like all stories, holds no true shape. And that’s exactly what it wants—the pain—it wants more blank to feed the pain with, to fill the space up. It wants us all.

Then, in her poem, “Horse and Cart,” one of the last she ever wrote: “I can’t even imagine a horse / anymore. / That we sat on their spines / and yanked their mouths around.” The gears of her mind, as she grew tired, wore down even these good times, seeking further ways to break them up, send her away.

I Cry for the Mountains: A Legacy Lost (Dave Daley, Chico Enterprise-Record )

California experienced another unprecedented wildfire season this year; a number of fire complexes burned throughout the state, including the massive North Complex Fire that started in August and burned in Northern California’s Plumas and Butte counties. Rancher Dave Daley offers a devastating account of the destruction of his family’s cattle range in Plumas National Forest, and a passionate plea to legislators and regulators to ultimately listen to the land and the locals when it comes to forest management. Daley originally posted this account on Facebook; his followers recommended that the Chico Enterprise-Record reprint it for a wider audience.

I cry for the forest, the trees and streams, and the horrible deaths suffered by the wildlife and our cattle. The suffering was unimaginable. When you find groups of cows and their baby calves tumbled in a ravine trying to escape, burned almost beyond recognition or a fawn and small calf side by side as if hoping to protect one another, you try not to wretch. You only pray death was swift. Worse, in searing memory, cows with their hooves, udder and even legs burned off still alive who had to be euthanized. A doe lying in the ashes with three fawns, not all hers I bet. And you are glad they can stand and move, even with a limp, because you really cannot imagine any more death today.

For those of you on the right blaming the left and California, these are National Forest lands that are “managed” by the feds. They have failed miserably over the past 50 years. Smokey the Bear was the cruelest joke ever played on the western landscape, a decades long campaign to prevent forest fires has resulted in mega-fires of a scope we’ve never seen. Thanks, Smokey.

I get frustrated with experts and consultants who drive by and “know just what to do.” For 35 years I have attended conferences, given presentations and listened. What I have learned is solutions are local and specific. What happens in one watershed in Plumas or Butte County may be entirely different in the Lassen National Forest just next door. But experts of all kinds are glad to tell you how to do it. “Let’s prescribe graze, use virtual fences, change your timing, change your genetics.” Prescribe graze the forest and canyons? Yea. Right. They don’t know what they don’t know but they will take the honorarium anyway and have a great dinner on your dime. The locals and land rarely benefit.

How My Mother and I Became Chinese Propaganda (Jiayang Fa n , The New Yorker )

Jiayang Fan pens a masterful piece of personal history, on her mother and their relationship, identity, family, propaganda and social media, and chronic illness (her mother has amyotrophic lateral sclerosis, or ALS) . Fan recounts her struggle to help her mother get hospital care during New York’s COVID-19 crisis, all while going viral and facing threats on social media, calling her a criminal and a traitor to China. She tells a complicated and very personal story, one of loyalty and love, with strength and eloquence.

My mother has always knelt at the altar of mianzi , an aspiration of which A.L.S. makes a spectacular mockery. You may think it’s embarrassing to slur your speech and limp, but wait until you are being spoon-fed and pushed around in a wheelchair—all of which will seem trivial once you can no longer wash or wipe yourself. The progress of the disease is a forced march toward the vanishing point of mianzi . When my mother was first given her diagnosis, she became obsessed with the idea of why—why her, why now, and, above all, why an illness that would subject her to the kind of public humiliation she feared more than death itself. When she could still operate her first-generation iPad, my mother gave me a contact list of everyone she was still in touch with in China, and told me that, except for her siblings, no one must know of her affliction. Such self-imposed isolation seemed like madness to me, but she preferred to cut friends out of her life rather than admit to the indignity of her compromised state. Her body’s insurrection, my mother believes, is her punishment for her prideful strivings in America.

At the beginning of the pandemic, I had read that a virus is neither dead nor alive, and replicates only in the shelter of a host organism. I began to think of “Jiayang Fan” as viral not in a social-media sense but in a biological one; the calamitous state of the world and certain random mutations in the story had made it unexpectedly contagious. My original posts had served their purpose; now they were serving the purposes of others. I had unwittingly bred a potent piece of propaganda.

The Promise That Tested My Parents Until the End (Christopher Solomon, GQ )

Don’t you ever put me in one of those places, she said. Don’t put me in one of those places, my father replied.

Christopher Solomon’s parents made a pledge to one another. But what did that actually look like over time, especially when his father became sick? What does unconditional love and devotion look like in our own lives? Solomon writes an honest and heartbreaking essay on love, aging, and marriage — in sickness and in health.

In time what was imperceptible in him became noticeable, and then what was noticeable became something worse. The landscape of my father changed, the coastline eroded. There was less of him, until the old map of my father no longer fit the man before us. It has been 20 years now since he was diagnosed, and sometimes it is hard to remember a time that he was not sick. His speech became a gargle of consonants. The dementia took most of his mind. His body curled in on itself—shrinking, reducing, as if he were becoming an infant again. Despite this, for years he still played the piano, every day, and nearly as well as ever—the mysteryland of the brain permitting this freedom even as body, and mind, crumbled around him. My mother would sing along from the kitchen, as she always had. And then one day, after I arrive home, my mother sounds more concerned than usual. He has stopped playing the piano, she says. This seems to worry her more than anything else.

Finally, exhausted, she relents. She drives to visit a nearby nursing home. Afterward she cries in the parking lot. She cries for what she sees there. She cries at the prospect of breaking the Promise. She cries because even though almost nothing remains of her husband—even though he is the cause of her sleepless nights and her tendinitis and her bruises and her anger—in 55 years she rarely has been apart from him. She loves even the scrap of him that remains. He is half of the story they share, of the red VW Beetle and the sunstruck Italian patios and the singalongs and the three towheaded children. As long as he is here, their story, however unlikely, is not yet over. She cries because the end of him is the end of a possibility. And I think, not for the first time, how little I still know about love.

Kamala Harris, Mass Incarceration and Me (Reginald Dwayne Betts, The New York Times Magazine )

“The prosecutor’s job, unlike the defense attorney’s or judge’s, is to do justice. What does that mean when you are asked by some to dole out retribution measured in years served, but blamed by others for the damage incarceration can do?” In this nuanced reported essay about mass incarceration in the U.S., Reginald Dwayne Betts reveals “our contradictory impulses” around crime, punishment, and the justice system. And he knows these impulses well, as both a felon and a son to a woman who was raped by a Black man.

But I know that on the other end of our prison sentences was always someone weeping. During the middle of Harris’s presidential campaign, a friend referred me to a woman with a story about Senator Harris that she felt I needed to hear. Years ago, this woman’s sister had been missing for days, and the police had done little. Happenstance gave this woman an audience with then-Attorney General Harris. A coordinated multicity search followed. The sister had been murdered; her body was found in a ravine. The woman told me that “Kamala understands the politics of victimization as well as anyone who has been in the system, which is that this kind of case — a 50-year-old Black woman gone missing or found dead — ordinarily does not get any resources put toward it.” They caught the man who murdered her sister, and he was sentenced to 131 years. I think about the man who assaulted my mother, a serial rapist, because his case makes me struggle with questions of violence and vengeance and justice. And I stop thinking about it. I am inconsistent. I want my friends out, but I know there is no one who can convince me that this man shouldn’t spend the rest of his life in prison.

Safe at Home in Los Angeles (Lynell George, High Country News )

Lynell George’s beautiful read exemplifies what I love about writing on place and home. A native of Los Angeles, George builds and shapes a complex L.A. in her piece: a “city of contradictions,” an elusive, ever-shifting place “built on either impermanence or illusion.” It’s a sensory and richly textured portrait of a vast place, looking at Los Angeles through a sort of kaleidoscope lens of gentrification, nature, and the pandemic lockdown.

Los Angeles has long been a contested domain — both as territory (from the Indigenous Tongva onward) and as emblem. Boosters, speculators and swindlers have had their way not just with the land but with the very image of Los Angeles. The city grew, like an opportunistic vine. It couldn’t just be . It had to be bigger than life, better than perfect. Even within my lifetime, popular culture has conjured a vision of Los Angeles that is sleight-of-hand, a trick of light, brutally at odds with the lived experience. Los Angeles, by its sprawling nature, absolutely resists oversimplification. This, despite its frustrations, irritants and absurdities, is precisely why I remain here.

Those stories of place, the Los Angeles of my childhood and adolescence and young adulthood — the ’60s, ’70s, ’80s, ’90s — couldn’t be told until we began to tell them. Until we steadied and raised our voices. Until we made our way through gatekeepers, and most significantly until we were of age and of mind to turn our attention to a shifting definition of the West (or El Norte ), one that included stories of migration and immigration, of protest, of underemployment, of struggle, and of love and resilience despite disappointment, and in the ways in which we tend to the physical environment, to conserve against drought or be mindful of energy use and emissions. We must tend to the region’s various topographies in narrative. It’s imperative. Or they will be lost. As a chronicler, my responsibility is to try and tell an honest story. True to its roots. Even now, even in this quiet moment in the city, we must remember its cacophony, its music.

My Mustache, My Self (Wesley Morris, The New York Times Magazine )

This essay from Wesley Morris on growing a mustache during the pandemic is about so much more than quarantine-grown facial hair — it’s a brilliant and vulnerable piece on masculinity and race, one in which Morris reflects on becoming himself and considers and celebrates his Blackness.

The mustache had certainly conjoined me to a past I was flattered to be associated with, however superficially. But there were implications. During the later stages of the movement, a mustached man opened himself up to charges of white appeasement and Uncle Tom-ism. Not because of the mustache, obviously, but because of the approach of the sort of person who would choose to wear one. Such a person might not have been considered radical enough, down enough, Black enough. The civil rights mustache was strategically tolerant. It didn’t advocate burning anything down. It ran for office — and sometimes it won. It was establishmentarian, compromising and eventually, come the infernos at the close of the 1960s, it fell out of fashion, in part because it felt out of step with the urgency of the moment.

The Black-power salute is not a casual gesture. It’s weaponry. You aim that arm and fire. I aimed mine in solidarity — with white people instead of at a system they personify. And that didn’t feel quite right. But how would I know? I had never done a Black-power salute. It always seemed like more Blackness than I’ve needed, maybe more than I had. I’m not Black-power Black. I’ve always been milder, more apprehensive than that. I was practically born with a mustache.

Cheri Lucas Rowlands

Cheri has been an editor at Longreads since 2014. She's currently based in the San Francisco Bay Area. More by Cheri Lucas Rowlands

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The Best Reviewed Books of 2020: Essay Collections

Featuring zadie smith, helen macdonald, claudia rankine, samantha irby, and more.

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2020—the longest year that has ever been—is almost at an end, and that means it’s time for us to break out the calculators and tabulate the best reviewed books of past twelve months.

Yes, using reviews drawn from more than 150 publications, over the next two weeks we’ll be revealing the most critically-acclaimed books of 2020, in the categories of (deep breath): Memoir & Biography ; Sci-Fi, Fantasy, and Horror ; Short Story Collections ; Essay Collections; Graphic Literature; Poetry; Mystery & Crime; Literature in Translation; General Fiction; and General Nonfiction.

Today’s installment: Essay Collections .

1. Vesper Flights by Helen Macdonald (Grove)

18 Rave • 3 Positive • 1 Mixed

Read Helen Macdonald on Sherlock Holmes, Ursula Le Guin, and hating On the Road here

“A former historian of science, Macdonald is as captivated by the everyday (ants, bird’s nests) as she is by the extraordinary (glowworms, total solar eclipses), and her writing often closes the distance between the two … Always, the author pushes through the gloom to look beyond herself, beyond all people, to ‘rejoice in the complexity of things’ and to see what science has to show us: ‘that we are living in an exquisitely complicated world that is not all about us’ … The climate crisis shadows these essays. Macdonald is not, however, given to sounding dire, all-caps warnings … For all its elegiac sentences and gray moods, Vesper Flights is a book of tremendous purpose. Throughout these essays, Macdonald revisits the idea that as a writer it is her responsibility to take stock of what’s happening to the natural world and to convey the value of the living things within it.”

–Jake Cline ( The Washington Post )

2. Intimations by Zadie Smith (Penguin)

13 Rave • 7 Positive • 3 Mixed

Listen to Zadie Smith read from Intimations here

“Smith…is a spectacular essayist—even better, I’d say, than as a novelist … Smith…get[s] at something universal, the suspicion that has infiltrated our interactions even with those we want to think we know. This is the essential job of the essayist: to explore not our innocence but our complicity. I want to say this works because Smith doesn’t take herself too seriously, but that’s not accurate. More to the point, she is willing to expose the tangle of feelings the pandemic has provoked. And this may seem a small thing, but it’s essential: I never doubt her voice on the page … Her offhandedness, at first, feels out of step with a moment in which we are desperate to feel that whatever something we are trying to do matters. But it also describes that moment perfectly … Here we see the kind of devastating self-exposure that the essay, as a form, requires—the realization of how limited we are even in the best of times, and how bereft in the worst.”

–David L. Ulin ( The Los Angeles Times )

3. Just Us: An American Conversation by Claudia Rankine (Graywolf)

11 Rave • 6 Positive • 5 Mixed

Read an excerpt from Just Us here

“ Just Us is about intimacy. Rankine is making an appeal for real closeness. She’s advocating for candor as the pathway to achieving universal humanity and authentic love … Rankine is vulnerable, too. In ‘lemonade,’ an essay about how race and racism affect her interracial marriage, Rankine models the openness she hopes to inspire. ‘lemonade’ is hard to handle. It’s naked and confessional, deeply moving and, ultimately, inspirational … Just Us , as a book, is inventive … Claudia Rankine may be the most human human I’ve ever encountered. Her inner machinations and relentless questioning would exhaust most people. Her labor should be less necessary, of course.”

–Michael Kleber-Diggs ( The Star Tribune )

4. Minor Feelings: An Asian American Reckoning by Cathy Park Hong (One World)

7 Rave • 10 Positive • 2 Mixed

Listen to an interview with Cathy Park Hong here

“Hong’s metaphors are crafted with stinging care. To be Asian-American, she suggests, is to be tasked with making an injury inaccessible to the body that has been injured … I read Minor Feelings in a fugue of enveloping recognition and distancing flinch … The question of lovability, and desirability, is freighted for Asian men and Asian women in very different ways—and Minor Feelings serves as a case study in how a feminist point of view can both deepen an inquiry and widen its resonances to something like universality … Hong reframes the quandary of negotiating dominance and submission—of desiring dominance, of hating the terms of that dominance, of submitting in the hopes of achieving some facsimile of dominance anyway—as a capitalist dilemma … Hong is writing in agonized pursuit of a liberation that doesn’t look white—a new sound, a new affect, a new consciousness—and the result feels like what she was waiting for. Her book is a reminder that we can be, and maybe have to be, what others are waiting for, too.”

–Jia Tolentino ( The New Yorker )

5. World of Wonders: In Praise of Fireflies, Whale Sharks, and Other Astonishments by Aimee Nezhukumatathil (Milkweed Editions)

11 Rave • 3 Positive

Read an excerpt from World of Wonders here

“In beautifully illustrated essays, poet Aimee Nezhukumatathil writes of exotic flora and fauna and her family, and why they are all of one piece … In days of old, books about nature were often as treasured for their illustrations as they were for their words. World of Wonders, American poet and teacher Aimee Nezhukumatathil’s prose ode to her muses in the natural world, is a throwback that way. Its words are beautiful, but its cover and interior illustrations by Fumi Mini Nakamura may well be what first moves you to pick it up in a bookstore or online … The book’s magic lies in Nezhukumatathil’s ability to blend personal and natural history, to compress into each brief essay the relationship between a biographical passage from her own family and the life trajectory of a particular plant or animal … Her kaleidoscopic observations pay off in these thoughtful, nuanced, surprise-filled essays.”

–Pamela Miller ( The Star Tribune )

6. Wow, No Thank You by Samantha Irby (Vintage)

10 Rave • 3 Positive • 1 Mixed

Watch an interview with Samantha Irby here

“Haphazard and aimless as she claims to be, Samantha Irby’s Wow, No Thank You is purposefully hilarious, real, and full of medicine for living with our culture’s contradictory messages. From relationship advice she wasn’t asked for to surrendering her cell phone as dinner etiquette, Irby is wholly unpretentious as she opines about the unspoken expectations of adulting. Her essays poke holes and luxuriate in the weirdness of modern society … If anyone whose life is being made into a television show could continue to keep it real for her blog reading fans, it’s Irby. She proves we can still trust her authenticity not just through her questionable taste in music and descriptions of incredibly bloody periods, but through her willingness to demystify what happens in any privileged room she finds herself in … Irby defines professional lingo and describes the mundane details of exclusive industries in anecdotes that are not only entertaining but powerfully demystifying. Irby’s closeness to financial and physical precariousness combined with her willingness to enter situations she feels unprepared for make us loyal to her—she again proves herself to be a trustworthy and admirable narrator who readers will hold fast to through anything at all.”

–Molly Thornton ( Lambda Literary )

7. Funny Weather: Art in an Emergency by Olivia Laing (W. W. Norton & Company)

5 Rave • 10 Positive • 3 Mixed • 1 Pan

“Yes, you’re in for a treat … There are few voices that we can reliably read widely these days, but I would read Laing writing about proverbial paint drying (the collection is in fact quite paint-heavy), just as soon as I would read her write about the Grenfell Tower fire, The Fire This Time , or a refugee’s experience in England, The Abandoned Person’s Tale , all of which are included in Funny Weather … Laing’s knowledge of her subjects is encyclopaedic, her awe is infectious, and her critical eye is reminiscent of the critic and author James Wood … She is to the art world what David Attenborough is to nature: a worthy guide with both a macro and micro vision, fluent in her chosen tongue and always full of empathy and awe.”

–Mia Colleran ( The Irish Times )

8. Conditional Citizens: On Belonging in America by Laila Lalami (Pantheon)

6 Rave • 7 Positive • 1 Mixed • 2 Pan

“A] searing look at the struggle for all Americans to achieve liberty and equality. Lalami eloquently tacks between her experiences as an immigrant to this country and the history of U.S. attempts to exclude different categories of people from the full benefits of citizenship … Lalami offers a fresh perspective on the double consciousness of the immigrant … Conditional citizenship is still conferred on people of color, women, immigrants, religious minorities, even those living in poverty, and Lalami’s insight in showing the subtle and overt ways discrimination operates in so many facets of life is one of this book’s major strengths.”

–Rachel Newcomb ( The Washington Post )

9. This is One Way to Dance by Sejal Shah (University of Georgia Press)

7 Rave • 2 Positive

Watch an interview with Sejal Shah here

“Shah brings important, refreshing, and depressing observations about what it means to have dark skin and an ‘exotic’ name, when the only country you’ve ever lived in is America … The essays in this slim volume are engaging and thought-provoking … The essays are well-crafted with varying forms that should inspire and enlighten other essayists … A particularly delightful chapter is the last, called ‘Voice Texting with My Mother,’ which is, in fact, written in texts … Shah’s thoughts on heritage and belonging are important and interesting.”

–Martha Anne Toll ( NPR )

10. Having and Being Had by Eula Biss (Riverhead)

5 Rave • 4 Positive • 4 Mixed

Read Eula Biss on the anticapitalist origins of Monopoly here

“… enthralling … Her allusive blend of autobiography and criticism may remind some of The Argonauts by Maggie Nelson, a friend whose name pops up in the text alongside those of other artists and intellectuals who have influenced her work. And yet, line for line, her epigrammatic style perhaps most recalls that of Emily Dickinson in its radical compression of images and ideas into a few chiseled lines … Biss wears her erudition lightly … she’s really funny, with a barbed but understated wit … Keenly aware of her privilege as a white, well-educated woman who has benefited from a wide network of family and friends, Biss has written a book that is, in effect, the opposite of capitalism in its willingness to acknowledge that everything she’s accomplished rests on the labor of others.”

–Ann Levin ( Associated Press )

Our System: RAVE = 5 points • POSITIVE = 3 points • MIXED = 1 point • PAN = -5 points

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September 18, 2024

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Is culture dying?
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The Best American Essays 2020

A collection of the year’s best essays selected by André Aciman, author of the worldwide bestseller Call Me by Your Name .

“An essay is the child of uncertainty,” André Aciman contends in his introduction to The Best American Essays 2020 . “The struggle to write what one hopes is entirely true, and the long incubation every piece of writing requires of a writer who is thinking difficult thoughts, are what ultimately give the writing its depth, its magnitude, its grace.” The essays Aciman selected center on people facing moments of deep uncertainty, searching for a greater truth. From a Black father’s confrontation of his son’s illness, to a divorcée’s transcendent experience with strangers, to a bartender grieving the tragic loss of a friend, these stories are a master class not just in essay writing but in empathy, artfully imbuing moments of hardship with understanding and that elusive grace.

The Best American 2020 Essays includes: RABIH ALAMEDDINE • BARBARA EHRENREICH • LESLIE JAMISON • JAMAICA KINCAID • ALEX MARZANO-LESNEVICH • A. O. SCOTT • JERALD WALKER • STEPHANIE POWELL WATTS and others

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The best essay collections to read now

From advice on friendship and understanding modern life to getting a grasp on coronavirus, these books offer insight on life.

The best essay collections including Zadie Smith's Intimations, James Baldwin's Notes of a Native Son and Nora Ephron's The Most of Nora Ephron.

What better way to get into the work of a writer than through a collection of their essays?

These seven collections, from novelists and critics alike, address a myriad of subjects from friendship to how colleges are dealing with sexual assaults on campus to race and racism.

Trick Mirror by Jia Tolentino (2019)

As a staff writer at The New Yorker , Jia Tolentino has explored everything from a rise in youth vaping to the ongoing cultural reckoning about sexual assault. Her first book Trick Mirror takes some of those pieces for The New Yorker as well as new work to form what is one of the sharpest collections of cultural criticism today.

Using herself and her own coming of age as a lens for many of the essays, Tolentino turns her pen and her eye to everything from her generation’s obsession with extravagant weddings to how college campuses deal with sexual assault.

If you’re looking for an insight into millennial life, then Trick Mirror should be on your to-read list.

In Search of Our Mothers’ Gardens by Alice Walker (1983)

Sometimes essays collected from a sprawling period of a successful writer’s life can feel like a hasty addition to a bibliography; a smash-and-grab of notebook flotsam. Not so In Search of Our Mother’s Gardens , from which one can truly understand the sheer range of the Pulitzer Prize winner’s range of study and activism. From Walker’s first published piece of non-fiction (for which she won a prize, and spent her winnings on cut peonies) to more elegiac pieces about her heritage, Walker’s thoughts on feminism (which she terms “womanism”) and the Civil Rights Movement remain grippingly pertinent 50 years on.

Me Talk Pretty One Day by David Sedaris (2000)

That David Sedaris’s ascent to literary stardom happened later in his life – his breakthrough collection of humour essays was released when he was 44 – suited the author’s writing style perfectly. Me Talk Pretty One Day is both a painfully funny account of his childhood and an enduring snapshot of mid-forties malaise. First story ‘Go Carolina’, about his attempt to transcend a childhood lisp, is told from a perfect distance and with all the worldliness necessary to milk every drop of tragic, cringeworthy humour from his childhood. It never falters from there: by the book’s second half, in which Sedaris is living in France, he’s firmly established his niche, writing about the ways that even snobs experience utter humiliation – and Me Talk Pretty One Day is all the more human for it.

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The best essays: the 2021 pen/diamonstein-spielvogel award, recommended by adam gopnik.

WINNER OF the 2021 PEN/Diamonstein-Spielvogel Award for the Art of the Essay

Had I Known: Collected Essays by Barbara Ehrenreich

Every year, the judges of the PEN/Diamonstein-Spielvogel Award for the Art of the Essay search out the best book of essays written in the past year and draw attention to the author's entire body of work. Here, Adam Gopnik , writer, journalist and PEN essay prize judge, emphasizes the role of the essay in bearing witness and explains why the five collections that reached the 2021 shortlist are, in their different ways, so important.

Interview by Benedict King

Unfinished Business: Notes of a Chronic Re-Reader by Vivian Gornick

Nature Matrix: New and Selected Essays by Robert Michael Pyle

Terroir: Love, Out of Place by Natasha Sajé

Maybe the People Would be the Times by Luc Sante

The Best Essays: the 2021 PEN/Diamonstein-Spielvogel Award - Had I Known: Collected Essays by Barbara Ehrenreich

1 Had I Known: Collected Essays by Barbara Ehrenreich

2 unfinished business: notes of a chronic re-reader by vivian gornick, 3 nature matrix: new and selected essays by robert michael pyle, 4 terroir: love, out of place by natasha sajé, 5 maybe the people would be the times by luc sante.

W e’re talking about the books shortlisted for the 2021 PEN/Diamonstein-Spielvogel Award for the Art of the Essay . As an essayist yourself, or as a reader of essays, what are you looking for? What’s the key to a good essay ?

Let’s turn to the books that made the shortlist of the 2021 PEN Award for the Art of the Essay. The winning book was Had I Known: Collected Essays by Barbara Ehrenreich , whose books have been recommended a number of times on Five Books. Tell me more.

One of the criteria for this particular prize is that it should be not just for a single book, but for a body of work. One of the things we wanted to honour about Barbara Ehrenreich is that she has produced a remarkable body of work. Although it’s offered in a more specifically political register than some essayists, or that a great many past prize winners have practised, the quiddity of her work is that it remains rooted in personal experience, in the act of bearing witness. She has a passionate political point to make, certainly, a series of them, many seeming all the more relevant now than when she began writing. Nonetheless, her writing still always depends on the intimacy of first-hand knowledge, what people in post-incarceration work call ‘lived experience’ (a term with a distinguished philosophical history). Her book Nickel and Dimed is the classic example of that. She never writes from a distance about working-class life in America. She bears witness to the nature and real texture of working-class life in America.

“One point of giving awards…is to keep passing the small torches of literary tradition”

Next up of the books on the 2021 PEN essay prize shortlist is Unfinished Business: Notes of a Chronic Re-Reader by Vivian Gornick.

Vivian Gornick is a writer who’s been around for a very long time. Although longevity is not in itself a criterion for excellence—or for this prize, or in the writing life generally—persistence and perseverance are. Writers who keep coming back at us, again and again, with a consistent vision, are surely to be saluted. For her admirers, her appetite to re-read things already read is one of the most attractive parts of her oeuvre , if I can call it that; her appetite not just to read but to read deeply and personally. One of the things that people who love her work love about it is that her readings are never academic, or touched by scholarly hobbyhorsing. They’re readings that involve the fullness of her experience, then applied to literature. Although she reads as a critic, she reads as an essayist reads, rather than as a reviewer reads. And I think that was one of the things that was there to honour in her body of work, as well.

Is she a novelist or journalist, as well?

Let’s move on to the next book which made the 2021 PEN essay shortlist. This is Nature Matrix: New and Selected Essays by Robert Michael Pyle.

I have a special reason for liking this book in particular, and that is that it corresponds to one of the richest and oldest of American genres, now often overlooked, and that’s the naturalist essay. You can track it back to Henry David Thoreau , if not to Ralph Waldo Emerson , this American engagement with nature , the wilderness, not from a narrowly scientific point of view, nor from a purely ecological or environmental point of view—though those things are part of it—but again, from the point of view of lived experience, of personal testimony.

Let’s look at the next book on the shortlist of the 2021 PEN Awards, which is Terroir: Love, Out of Place by Natasha Sajé. Why did these essays appeal?

One of the things that was appealing about this book is that’s it very much about, in every sense, the issues of the day: the idea of place, of where we are, how we are located on any map as individuals by ethnic identity, class, gender—all of those things. But rather than being carried forward in a narrowly argumentative way, again, in the classic manner of the essay, Sajé’s work is ruminative. It walks around these issues from the point of view of someone who’s an expatriate, someone who’s an émigré, someone who’s a world citizen, but who’s also concerned with the idea of ‘terroir’, the one place in the world where we belong. And I think the dialogue in her work between a kind of cosmopolitanism that she has along with her self-critical examination of the problem of localism and where we sit on the world, was inspiring to us.

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Last of the books on the shortlist for the 2021 Pen essay award is Maybe the People Would Be the Times by Luc Sante.

Again, here’s a writer who’s had a distinguished generalised career, writing about lots of places and about lots of subjects. In the past, he’s made his special preoccupation what he calls ‘low life’, but I think more broadly can be called the marginalized or the repressed and abject. He’s also written acute introductions to the literature of ‘low life’, the works of Asbury and David Maurer, for instance.

But I think one of the things that was appealing about what he’s done is the sheer range of his enterprise. He writes about countless subjects. He can write about A-sides and B-sides of popular records—singles—then go on to write about Jacques Rivette’s cinema. He writes from a kind of private inspection of public experience. He has a lovely piece about tabloid headlines and their evolution. And I think that omnivorous range of enthusiasms and passions is a stirring reminder in a time of specialization and compartmentalization of the essayist’s freedom to roam. If Pyle is in the tradition of Thoreau, I suspect Luc Sante would be proud to be put in the tradition of Baudelaire—the flaneur who walks the streets, sees everything, broods on it all and writes about it well.

One point of giving awards, with all their built-in absurdity and inevitable injustice, is to keep alive, or at least to keep passing, the small torches of literary tradition. And just as much as we’re honoring the great tradition of the naturalist essay in the one case, I think we’re honoring the tradition of the Baudelairean flaneur in this one.

April 18, 2021

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Adam Gopnik

Adam Gopnik has been a staff writer at the New Yorker since 1986. His many books include A Thousand Small Sanities: The Moral Adventure of Liberalism . He is a three time winner of the National Magazine Award for Essays & Criticism, and in 2021 was made a chevalier of the Legion d'Honneur by the French Republic.

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100 Must-Read Essay Collections

100 awesome essay collections you won't want to miss!

Rebecca Hussey

Rebecca holds a PhD in English and is a professor at Norwalk Community College in Connecticut. She teaches courses in composition, literature, and the arts. When she’s not reading or grading papers, she’s hanging out with her husband and son and/or riding her bike and/or buying books. She can't get enough of reading and writing about books, so she writes the bookish newsletter "Reading Indie," focusing on small press books and translations. Newsletter: Reading Indie Twitter: @ofbooksandbikes

View All posts by Rebecca Hussey

There’s something about a shiny new collection of essays that makes my heart beat a little faster. If you feel the same way, can we be friends? If not, might I suggest that perhaps you just haven’t found the right collection yet? I don’t expect everyone to love the thought of sitting down with a nice, juicy personal essay, but I also think the genre gets a bad rap because people associate it with the kind of thing they had to write in school.

Well, essays don’t have to be like the kind of thing you wrote in school. Essays can be anything, really. They can be personal, confessional, argumentative, informative, funny, sad, shocking, sexy, and all of the above. The best essayists can make any subject interesting. If I love an essayist, I’ll read whatever they write. I’ll follow their minds anywhere. Because that’s really what I want out of an essay — the sense that I’m spending time with an interesting mind. I want a companionable, challenging, smart, surprising voice in my head.

So below is my list, not of essay collections I think everybody “must read,” even if that’s what my title says, but collections I hope you will consider checking out if you want to.

1. Against Interpretation — Susan Sontag

2. Alibis: Essays on Elsewhere — André Aciman

3. American Romances — Rebecca Brown

4. Art & Ardor — Cynthia Ozick

5. The Art of the Personal Essay — anthology, edited by Phillip Lopate

6. Bad Feminist — Roxane Gay

7. The Best American Essays of the Century — anthology, edited by Joyce Carol Oates

8. The Best American Essays series — published every year, series edited by Robert Atwan

9. Book of Days — Emily Fox Gordon

Book cover of The Boys of My Youth by Jo Ann Beard

10. The Boys of My Youth — Jo Ann Beard

11. The Braindead Megaphone — George Saunders

12. Broken Republic: Three Essays — Arundhati Roy

13. Changing My Mind — Zadie Smith

14. A Collection of Essays — George Orwell

15. The Common Reader — Virginia Woolf

16. Consider the Lobster — David Foster Wallace

17. The Crack-up — F. Scott Fitzgerald

18. Discontent and its Civilizations — Mohsin Hamid

19. Don’t Let Me Be Lonely: An American Lyric — Claudia Rankine

20. Dreaming of Hitler — Daphne Merkin

21. Self-Reliance and Other Essays — Ralph Waldo Emerson

22. The Empathy Exams — Leslie Jameson

23. Essays After Eighty — Donald Hall

24. Essays in Idleness — Yoshida Kenko

25. The Essays of Elia — Charles Lamb

26. Ex Libris: Confessions of a Common Reader — Anne Fadiman

27. A Field Guide to Getting Lost — Rebecca Solnit

28. Findings — Kathleen Jamie

29. The Fire Next Time — James Baldwin

30. The Folded Clock — Heidi Julavits

31. Forty-One False Starts — Janet Malcolm

32. How To Slowly Kill Yourself and Others in America — Kiese Laymon

33. I Feel Bad About My Neck — Nora Ephron

34. I Just Lately Started Buying Wings — Kim Dana Kupperman

35. In Fact: The Best of Creative Nonfiction — anthology, edited by Lee Gutkind

36. In Praise of Shadows — Junichiro Tanizaki

37. In Search of Our Mother’s Gardens — Alice Walker

38. Is Everyone Hanging Out Without Me? — Mindy Kaling

39. I Was Told There’d Be Cake — Sloane Crosley

40. Karaoke Culture — Dubravka Ugresic

41. Labyrinths — Jorge Luis Borges

42. Living, Thinking, Looking — Siri Hustvedt

43. Loitering — Charles D’Ambrosio

44. Lunch With a Bigot — Amitava Kumar

45. Madness, Rack, and Honey — Mary Ruefle

46. Magic Hours — Tom Bissell

47. Meatless Days — Sara Suleri

48. Meaty — Samantha Irby

49. Meditations from a Movable Chair — Andre Dubus

50. Memories of a Catholic Girlhood — Mary McCarthy

51. Me Talk Pretty One Day — David Sedaris

52. Multiply/Divide: On the American Real and Surreal — Wendy S. Walters

53. My 1980s and Other Essays — Wayne Koestenbaum

54. The Next American Essay, The Lost Origins of the Essay, and The Making of the American Essay — anthologies, edited by John D’Agata

55. The Norton Book of Personal Essays — anthology, edited by Joseph Epstein

56. Notes from No Man’s Land — Eula Biss

57. Notes of a Native Son — James Baldwin

58. Not That Kind of Girl — Lena Dunham

59. On Beauty and Being Just — Elaine Scarry

60. Once I Was Cool — Megan Stielstra

61. 100 Essays I Don’t Have Time to Write — Sarah Ruhl

62. On Kissing, Tickling, and Being Bored — Adam Phillips

63. On Lies, Secrets, and Silence — Adrienne Rich

64. The Opposite of Loneliness — Marina Keegan

65. Otherwise Known as the Human Condition — Geoff Dyer

66. Paris to the Moon — Adam Gopnik

67. Passions of the Mind — A.S. Byatt

68. The Pillow Book — Sei Shonagon

69. A Place to Live — Natalia Ginzburg

70. Playing in the Dark: Whiteness and the Literary Imagination — Toni Morrison

71. Pulphead — John Jeremiah Sullivan

72. Selected Essays — Michel de Montaigne

73. Shadow and Act — Ralph Ellison

74. Sidewalks — Valeria Luiselli

75. Sister Outsider — Audre Lorde

76. The Size of Thoughts — Nicholson Baker

77. Slouching Towards Bethlehem — Joan Didion

78. The Souls of Black Folk — W. E. B. Du Bois

79. The Story About the Story — anthology, edited by J.C. Hallman

80. A Supposedly Fun Thing I’ll Never Do Again — David Foster Wallace

81. Ten Years in the Tub — Nick Hornby

82. Thirteen Ways of Looking at a Black Man — Henry Louis Gates

83. This Is Running for Your Life — Michelle Orange

84. This Is the Story of a Happy Marriage — Ann Patchett

85. Tiny Beautiful Things — Cheryl Strayed

86. Tuxedo Junction: Essays on American Culture — Gerald Early

87. Twenty-eight Artists and Two Saints — Joan Acocella

88. The Unspeakable — Meghan Daum

89. Vermeer in Bosnia — Lawrence Weschler

90. The Wave in the Mind — Ursula K. Le Guin

91. We Need Silence to Find Out What We Think — Shirley Hazzard

92. We Should All Be Feminists — Chimamanda Ngozi Adichi

93. What Are People For? — Wendell Berry

94. When I Was a Child I Read Books — Marilynne Robinson

95. The White Album — Joan Didion

96. White Girls — Hilton Als

97. The Woman Warrior — Maxine Hong Kinston

98. The Writing Life — Annie Dillard

99. Writing With Intent — Margaret Atwood

100. You Don’t Have to Like Me — Alida Nugent

If you have a favorite essay collection I’ve missed here, let me know in the comments!

The 10 Best Books of 2020

The editors of The Times Book Review choose the best fiction and nonfiction titles this year.

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A Children’s Bible

By lydia millet.

In Millet’s latest novel, a bevy of kids and their middle-aged parents convene for the summer at a country house in America’s Northeast. While the grown-ups indulge (pills, benders, bed-hopping), the kids, disaffected teenagers and their parentally neglected younger siblings, look on with mounting disgust. But what begins as generational comedy soon takes a darker turn, as climate collapse and societal breakdown encroach. The ensuing chaos is underscored by scenes and symbols repurposed from the Bible — a man on a blowup raft among the reeds, animals rescued from a deluge into the back of a van, a baby born in a manger. With an unfailingly light touch, Millet delivers a wry fable about climate change, imbuing foundational myths with new meaning and, finally, hope.

Fiction | W.W. Norton & Company. $25.95. | Read the review | Listen: Lydia Millet on the podcast

Deacon King Kong

By james mcbride.

A mystery story, a crime novel, an urban farce, a sociological portrait of late-1960s Brooklyn: McBride’s novel contains multitudes. At its rollicking heart is Deacon Cuffy Lambkin, a.k.a. Sportcoat, veteran resident of the Causeway Housing Projects, widower, churchgoer, odd-jobber, home brew-tippler and, now, after inexplicably shooting an ear clean off a local drug dealer, a wanted man. The elastic plot expands to encompass rival drug crews, an Italian smuggler, buried treasure, church sisters and Sportcoat’s long-dead wife, still nagging from beyond the grave. McBride, the author of the National Book Award-winning novel “The Good Lord Bird” and the memoir “The Color of Water,” among other books, conducts his antic symphony with deep feeling, never losing sight of the suffering and inequity within the merriment.

Fiction | Riverhead Books. $28. | Read the review | Listen: James McBride on the podcast

By Maggie O’Farrell

A bold feat of imagination and empathy, this novel gives flesh and feeling to a historical mystery: how the death of Shakespeare’s 11-year-old son, Hamnet, in 1596, may have shaped his play “Hamlet,” written a few years later. O’Farrell, an Irish-born novelist, conjures with sensual vividness the world of the playwright’s hometown: the tang of new leather in his cantankerous father’s glove shop; the scent of apples in the storage shed where he first kisses Agnes, the farmer’s daughter and gifted healer who becomes his wife; and, not least, the devastation that befalls her when she cannot save her son from the plague. The novel is a portrait of unspeakable grief wreathed in great beauty.

Fiction | Alfred A. Knopf. $26.95. | Read the review

Homeland Elegies

By ayad akhtar.

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The Ultimate Best Books of 2020 List

Reading all the lists so you don't have to since 2017.

This year has been “unprecedented” and “unusual” and “an outlier” and “anomalous” and “freakish” and “extraordinary” in many ways. The Covid-19 pandemic has upended our way of life, our topics of conversation, and our entire world. However, some things will always be the same. What I mean to say is: Nothing can stop listicle season.

Yet again, I have scoured he internet to find out which books were recommended most on the “best of the year” lists, consulting 2020 roundups published by everyone from Literary Hub (that would be us) to Apartment Therapy. I read a total 41 lists, which recommended a whopping 952 different books. But a few were mentioned repeatedly, and you will find those ranked below, by order of frequency of inclusion. Does this mean these books are The Best? Only as much as any popularity contest ever does, I suppose. But if you’re looking to add some books to your holiday reading list, you could do a lot worse.

Here are the results:

Brit Bennett, The Vanishing Half

Rumaan Alam, Leave the World Behind

Yaa Gyasi, Transcendent Kingdom

Raven Leilani, Luster James McBride, Deacon King Kong

Maggie O’Farrell, Hamnet Isabel Wilkerson, Caste: The Origins of Our Discontents

Bryan Washington, Memorial

Ayad Akhtar, Homeland Elegies Megha Majumdar, A Burning Hilary Mantel, The Mirror & The Light Jenny Offill, Weather

Danielle Evans, The Office of Historical Corrections: A Novella and Stories

Danielle Evans, The Office of Historical Corrections Garth Greenwell, Cleanness Douglas Stuart, Shuggie Bain Natasha Trethewey, Memorial Drive: A Daughter’s Memoir Robert Kolker, Hidden Valley Road: Inside the Mind of an American Family

Elena Ferrante, tr. Ann Goldstein, The Lying Life of Adults

Elena Ferrante, The Lying Life of Adults N. K. Jemisin, The City We Became Lydia Millet, A Children’s Bible Barack Obama, A Promised Land Claudia Rankine, Just Us: An American Conversation Anna Wiener, Uncanny Valley: A Memoir C Pam Zhang, How Much of These Hills is Gold

Susanna Clarke, Piranesi Samantha Irby, Wow, No Thank You: Essays Emily St. John Mandel, The Glass Hotel Kiley Reid, Such a Fun Age

Akwaeke Emezi, The Death of Vivek Oji Cathy Park Hong, Minor Feelings Lily King, Writers & Lovers Brandon Taylor, Real Life Charles Yu, Interior Chinatown

Mikki Kendall, Hood Feminism Helen Macdonald, Vesper Flights Silvia Moreno-Garcia, Mexican Gothic Les Payne and Tamara Payne, The Dead are Arising V. E. Schwab, The Invisible Life of Addie LaRue Karla Corejo Villavinencio, The Undocumented Americans Jess Walter, The Cold Millions

S.A. Cosby, Blacktop Wasteland Emily Danforth, Plain Bad Heroines Anne Enright, Actress Erik Larson, The Splendid and the Vile Marilynne Robinson, Jack Kawai Strong Washburn, Sharks in the Time of Saviors Kevin Young, ed., African-American Poetry: 250 Years of Struggle and Song

Alyssa Cole, When No One is Watching Diane Cook, The New Wilderness Lacy Crawford, Notes on a Silencing Louise Erdrich, The Night Watchman Stephen Graham Jones, The Only Good Indians Peace Adzo Medie, His Only Wife David Mitchell, Utopia Avenue Wayétu Moore, The Dragons, The Giant, The Women: A Memoir Aimee Nezhukumatathil, illustrated by Fumi Nakamura, World of Wonders: In Praise of Fireflies, Whale Sharks, and Other Astonishments Sigrid Nunez, What Are You Going Through Kate Elizabeth Russell, My Dark Vanessa Curtis Sittenfeld, Rodham Danez Smith, Homie: Poems Zadie Smith, Intimations: Six Essays Adrian Tomine, The Loneliness of the Long-Distance Cartoonist

Full list of lists surveyed:

TIME’ s 100 Must Read Books of 2020 ; Vanity Fair ‘ s 15 Best Books of 2020 ; The New York Times Book Review’ s 100 Notable Books of 2020 ; Vulture’s 10 Best Books of 2020 ; Literary Hub’s 65 Favorite Books of the Year ; Esquire’ s Best Books to Elevate Your Reading List in 2020 ; Los Angeles Time’ s 10 Best Books of 2020 ; Slate’s Best Books of 2020 (Laura Miller); Slate’s Best Books of 2020 (Dan Kois); Refinery29’s The Best Books of 2020, So Far ; The Washington Post’ s 50 notable works of nonfiction in 2020 ; The Washington Post’ s 50 notable works of fiction in 2020 ; The New York Times’ Critics’ Top Books of 2020 ; The Chicago Public Library’s Best Books of 2020 ; Book Riot’s Best Books of 2020 ; BuzzFeed’s Best Books We Read in 2020 ; Publishers Weekly’ s Best Books of 2020 ; Library Journal’ s Best Books 2020 ; O, The Oprah Magazine ‘ s 20 Best Books of 2020 ; Chicago Tribune’ s 10 Best Books of 2020 ; EW’ s 10 Best Books of 2020 ; Teen Vogue’ s Best Books of 2020 You Should Be Reading Right Now ; Apartment Therapy’s Must-Read Books of 2020 ; Amazon’s Top 100 Books of 2020 ; Barnes & Noble’s 10 Best Books of 2020 ; Real Simple’ s Best Books of 2020 (So Far) ; Kirkus Reviews’s Best of 2020 ( Fiction and Nonfiction ); Marie Claire’ s The 2020 Books You Should Add to Your Reading List ; Town and Country’ s Best Books of 2020 ; Parade’ s 40 Best Books of 2020 ; The New York Public Library’s Best Books of the Year ; The Wall Street Journal’ s 10 Best Books of 2020 ; USA TODAY’ s Best Books of 2020 ; People’ s Top 10 Books of 2020 ; The Guardian’ s Best Books of 2020 ; The Undefeated’s 25 Can’t-Miss Books of 2020 ; Men’s Health’ s 14 Best New Books of 2020 ; BBC’s Best Books of the year 2020 ; and The Telegraph’s 50 Best Books of 2020 ; and The Independent’ s 20 Best Books of 2020 .

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Languages of Truth: Essays 2003-2020 Hardcover – May 25, 2021

Print length 368 pages
Language English
Publisher Random House
Publication date May 25, 2021
Dimensions 6.31 x 1.16 x 9.52 inches
ISBN-10 059313317X
ISBN-13 978-0593133170
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Publisher ‏ : ‎ Random House (May 25, 2021)
Language ‏ : ‎ English
Hardcover ‏ : ‎ 368 pages
ISBN-10 ‏ : ‎ 059313317X
ISBN-13 ‏ : ‎ 978-0593133170
Item Weight ‏ : ‎ 1.33 pounds
Dimensions ‏ : ‎ 6.31 x 1.16 x 9.52 inches
#2,271 in Essays (Books)
#3,090 in Author Biographies
#19,354 in Memoirs (Books)

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Salman rushdie.

Sir Salman Rushdie is the author of many novels including Grimus, Midnight's Children, Shame, The Satanic Verses, The Moor's Last Sigh, The Ground Beneath Her Feet, Fury and Shalimar the Clown. He has also published works of non-fiction including The Jaguar Smile, Imaginary Homelands, The Wizard of Oz and, as co-editor, The Vintage Book of Short Stories.

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Half length photo of Louis Bayard seated at a desk in the Main Reading Room looking through two 19th century books.

Louis Bayard’s Novel Research at the Library

September 18, 2024

Posted by: Neely Tucker

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Bestselling author Louis Bayard has written nine historical novels over the past two decades and has researched them all at the Library, poring over maps, sorting through personal love letters, consulting societal details of the lost worlds that he brings to life.

His latest novel, “The Wildes,” a fictionalized account of Oscar Wilde and his wife and children, was released this week. His penchant of weaving real people (Wilde, Abraham and Mary Todd Lincoln, Edgar Allan Poe, Theodore and Kermit Roosevelt, Jacqueline Kennedy, etc.) into fictional adventures is so distinctive that The New York Times recently referred to it as “Bayardian.”

Creating a distinctive literary style over two decades — with books set across several centuries and three continents — takes a lot of work. A lot of that gets done in the Library’s stacks, reading rooms and collections, spread across three buildings on Capitol Hill. He’s on the Library campus so often that he has his own researcher shelf (#1433) in the stacks just off the Main Reading Room. He has lauded Abby Yochelson, a now-retired reference specialist in English and American literature, in the acknowledgements of several books as his “research angel.”

“It just makes you feel more secure when you’re putting these worlds together because they’re all lost to time,” he says during a recent interview at a Capitol Hill restaurant a few doors down from the Library. “I’m trying to reanimate them, and the only way to do that is through books, through the stacks.” A moment later, he adds: “The book is always telling me what I still need to know. It’s often considerable. That’s when I dash back to the Library.”

Oscar Wilde, full-length portrait, standing with hands behind back, facing front, leaning against a decorated wall.

Bayard is 60 and comes across much like his books do: urbane, witty, charming. He was born in New Mexico, grew up in Northern Virginia and went to college at Princeton. He got a master’s in journalism from Northwestern University and moved back to Washington, where he soon worked as a staffer for congresswoman Eleanor Holmes Norton (D-D.C.) and for U.S. Rep. Philip Sharp (D-Ind.).

His books have been translated into more than a dozen languages, he’s served as chair of the PEN/Faulkner Awards and taught at George Washington University. He often writes about pop culture for major newspapers and magazines. The father of two sons, he lives with his husband, Don Montuori, on Capitol Hill, just a few blocks from the Library.

He’s also settled into a professional routine — a book about every two years — and a consistent research method. Once he’s settled on a new character storyline, he heads to the Library’s website and on-site resources and starts digging.

Let’s look back at the beginning to see how he got here.

By his late 30s, he’d written two contemporary novels that were perfectly fine but didn’t catch on. He struck out on a new tack with the idea of writing a historical thriller, following the fictional Timothy Cratchit (Tiny Tim in Charles Dickens’ “A Christmas Carol”) into adulthood. Bayard pictured him in London’s seamy 1860s underbelly, where he stumbles across the bodies of two dead young women, each of whom has been branded with the same mark.

But how was one to fill out nearly 400 pages with those “teeming markets, shadowy passageways and rolling brown fog” of the London demimonde, as “Mr. Timothy’s” dust jacket would ultimately promise?

Bayard, with his journalism background, went to the Library to do his due diligence. He at first found the place confusing if not bewildering. The Library is filled with collections from different eras — it’s not like Google — and some parts of a single subject might be found in contemporary books, or maybe in personal letters of participants, others in histories published decades (or centuries) later and still more in maps or in long-forgotten newspapers and magazines. These can be in different divisions and sometimes in different buildings. They have come in over nearly two centuries and might have been cataloged in ways that would have made perfect sense in 1890 but not so much so in 1990. Some were online, some were not.

This is when he met Yochelson, a highly respected research librarian.

“It wasn’t an easy process to figure out,” he says, “and I needed my friend Abby to practically hold my hand. But once I was in, I found Henry Mayhew, who was this amazing social scientist who was basically walking through the streets of London in the Victorian era and taking notes about everything he saw, the statistics, man-on-the-street interviews, everything. It was just like, ‘Oh my God, I’ve found the treasure trove. I’ve found gold.’ ”

The book sold well and drew strong critical reviews, and Yochelson was delighted to see some of the research she helped him find turn up in the book.

“I still remember he wanted to know what banking was like in Charles Dickens’ England,” she said in a recent phone call. “ ‘Would you get a check? What was a photography studio like?’ All sorts of things. Two years later, the book comes out and I would come across something and go, “Oh, there it is!”

She and Bayard have kept up their friendship, though she is modest about her help. “There are ‘research angels’ all over the library,” she says.

An 1830 sketch of the West Point campus, with buildings and areas identifed by letters with a map legend on the left hand side.

Research magic struck again for his next book, “The Pale Blue Eye,” set at the U.S. Military Academy in West Point, New York, in 1830, when a young cadet named Edgar Allan Poe becomes caught up in a grisly murder mystery. (Poe really did attend the academy.) In the Geography and Map Division , Bayard came across a layout of the campus that showed, right in the middle, an icehouse. He made a copy of the map, kept it with him while writing to ensure accuracy and made the icehouse the central focus of the investigation.

That book did even better and was turned into a 2022 film starring Christian Bale.

In researching “Roosevelt’s Beast,” a tale about supernatural evil in the Amazon rainforest that has devastating effects on Kermit Roosevelt, the president’s son, he came across love letters in the Manuscript Division between Kermit and his fiancé, Belle Wyatt Willard. They were so touching that he used excerpts verbatim in the book.

“What have I done that God should choose me out of all the world for you to love — but as He has done this, so perhaps He will make me a little worthy of your love,” Willard wrote, in one passage Bayard quoted. “May He keep you safe for me! I love you, Kermit, I love you.”

A handwritten letter in loose, cursive penmanship on browned paper.

One hundred and ten years later, you can still hold the hotel stationery on which she wrote, see how delicately she pressed the pen into the paper. The passion, the intensity, the intimacy of her writing — it really does bring goosebumps.

It’s that kind of immediacy, Bayard says, that brings his lost worlds to life, that brings modern readers the touch of lives long gone.

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Ryan Routh was camped out for 12 hours and didn't have Trump in his line of sight when Secret Service fired at him

The man arrested in connection with an apparent attempt to assassinate Donald Trump is a former supporter who turned against the former president in part for foreign policy reasons and later traveled to Ukraine , where he made an ill-fated attempt to raise a volunteer force to fight the Russians.

The revelations about Ryan Wesley Routh emerged Monday, a day after a Secret Service agent rousted him from a hiding place at the West Palm Beach, Florida, golf course where Trump had been playing. Sheriff’s deputies later took him into custody.

Routh, it was revealed in court papers, had been camped out in a wooded area with a loaded SKS-style rifle near the course for 12 hours before he was spotted, raising new questions about whether the Secret Service was doing enough to protect a politician who had already survived one assassination attempt.

Trump was on the fifth fairway and not in Routh’s line of sight when the agent “engaged” the suspect, said Ronald Rowe, acting director of the Secret Service. Routh also never fired his weapon.

But Routh, 58, was equipped to kill, the criminal complaint said.

In addition to a digital camera and two bags, investigators found a loaded SKS-style 7.62x39 caliber rifle with a scope that had an “obliterated” serial number and a black plastic bag containing food likely to sustain Routh while he waited in the wooded area.

Routh was arraigned Monday at the Paul G. Rogers Federal Court House in West Palm Beach on charges of possession of a firearm by a convicted felon and possession of a firearm with an obliterated serial number.

The FBI has confirmed it is investigating “an apparent attempted assassination” of Trump on Sunday, but so far Routh has not been charged with trying to kill him.

Body camera video released by the Martin County Sheriff’s Office shows Routh wearing sunglasses and a pink T-shirt pulled over his head, exposing his midsection. He had been told to pull his shirt up to show he had no concealed weapons, Martin County Sheriff William Snyder told NBC News. He was arrested without incident.

The next day, Routh appeared unruffled, dressed in prison scrubs during his brief court appearance. He said he has a 25-year-old son, and he told the judge he has no money but owns two trucks in Hawaii, where he now lives, that are worth about $1,000 each.Represented by a public defender, Routh was given a Sept. 23 return court date and was then sent back to jail.

There was no discussion of a possible motive. In a self-published book, Routh said he voted for Trump in 2016 and came to regret it after Trump made what he called a “tremendous blunder” in 2018 and withdrew the U.S. from the Iran nuclear deal.

“I must take part of the blame,” he wrote in “Ukraine’s Unwinnable War: The Fatal Flaw of Democracy, World Abandonment and the Global Citizen-Taiwan, Afghanistan, North Korea and the end of Humanity,” which was published last year. He added that Trump “ended up being brainless, but I am man enough to say that I misjudged and made a terrible mistake and Iran I apologize.”

“You are free to assassinate Trump as well as me for that error in judgement and the dismantling of the deal,” Routh wrote.

Then he added, “No one here in the U.S. seems to have the balls to put natural selection to work or even unnatural selection.”

Federal investigators released a criminal complaint that said Routh had been staking out Trump International Golf Club for about 12 hours, starting at 1:59 a.m. Sunday, until 1:31 p.m. Sunday, when a Secret Service agent walking the perimeter saw what appeared to be a rifle poking out of a tree line.

The agent, the complaint says, fired in the direction of the rifle and flushed out a man, later identified as Routh, who was seen getting into a Nissan SUV and driving away, according to a witness. Officers located the vehicle and pulled Routh over on Interstate 95 less than an hour later, and the witness who saw him leaving the golf course identified him.

Trump survived an attempted assassination in July when a bullet grazed one of his ears while he was addressing supporters at a rally in Butler, Pennsylvania. The shooter, Thomas Matthew Crooks, 20, was killed, and so far investigators have not divulged a motive.

Routh has, of late, been living in a small town outside Honolulu with his son, according to public records and statements made in court. But he had spent most of his life in Greensboro, North Carolina, where he ran a roofing business, according to public records. Records show he had more than 100 run-ins with the law but never did any time.

In 2002, court records show, Routh was convicted of illegally possessing a machine gun.

Court records for a person named Ryan Routh also show a 2003 divorce, along with multiple civil judgments after contractors and individuals sued a roofing company he helped run.

Routh still has kin in Greensboro, according to a public records search. His relatives were reluctant to speak with reporters Monday.

A former neighbor, Kim Mungo, said Routh lived next door to her for 18 years and never brought up politics or Ukraine with her. She described him as “gorgeous” and said the house belonged to his ex-wife.

Mungo said she had been watching over the house while Routh was moving permanently to Hawaii.

Asked whether she ever saw weapons in the residence, Mungo said she had seen some rifles — and one very large animal.

Routh was active on social media. In 2020, he posted on Twitter (now X) that he had supported Trump in 2016 but was deeply disappointed in him. He also used X to signal his support for Sen. Bernie Sanders, I-Vt., who was then running for the Democratic presidential nomination. And like Trump, he disparaged President Joe Biden as “Sleepy Joe.”

While he was living in Hawaii, Routh made several contributions, from $1 to $25, to the Democratic fundraising platform ActBlue in 2019 and 2020, according to Federal Election Commission records.

In his 291-page tome, Routh bristled at being pinned down as a political partisan.

“I get so tired of people asking me if I am a Democrat or Republican as I refuse to be put into a category and I must always answer independant,” he wrote.

Routh disparaged Trump as a “fool” and a “buffoon,” but he credited him for reaching out to North Korean leader Kim Jong Un.

Biden “has yet to be man enough to make that phone call and do the right thing,” Routh wrote.

Routh was also a vocal supporter of Ukraine and visited it in 2022. That summer, NBC News spoke with Routh, who said in a message that the West’s “limited response” to the Russia-Ukraine war was “extremely disappointing” and called the moment “an indictment of the entire human race.” There was never any formal interview, and Routh’s comments were not included in NBC News’ coverage of the war.

In an interview with Newsweek Romania in 2022 , Routh said he had volunteered to fight for the International Legion for the Defense of Ukraine but was turned down because of his age and lack of combat experience.

Instead, Routh claimed, he opted to help with military recruitment efforts in Kyiv. A representative of the International Legion told NBC News on Monday that Routh never served in its military.

In his book, Routh appeared to be unhappy with how the government in Kyiv treats foreigners who joined its fight against Russia.

“Sadly Ukraine does not roll out the red carpet for foreign fighters and volunteers, nor do they celebrate their sacrifices and help,” he wrote.

Corky Siemaszko is a senior reporter for NBC News Digital.

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The Best American Essays 2020
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Ryan Routh was camped out for 12 hours and didn't have Trump in his line of sight when Secret Service fired at him

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