creative writing tips and techniques

Tip 7: Practice Overcoming Writer’s Block

At some point in their writing journey, every writer has reached a point where writing doesn’t feel fun anymore.

There are lots of different causes for writer’s block. You might be unsure what to write, afraid of failing, or simply burned out from writing too much.

It’s important to find ways to overcome creative blocks, so you don’t end up putting down your pen for good.

One useful technique is to change your environment. If you normally write at home, try writing in a coffee shop or in your local library.

Another technique is to try a different activity for a while. Go for a walk, take a shower, do your dishes, or try another hobby. Before long, you’ll find yourself wanting to write again.

Perhaps the most underrated method is to simply take a break from writing. Give yourself permission to stop for a while—it’s always okay to take a step back.

Tip 8: Study Writing Craft

Many new writers falsely believe that writing can’t be taught; you’re either good at it or you’re not.

But the truth is that creative writing is a craft, just like woodworking, oil painting, or ballet. You wouldn’t expect anyone to be naturally good at ballet without years of training, so why is writing any different?

One way to learn new creative writing techniques is by reading craft books . Some great books to start with include On Writing by Stephen King, Story Genius by Lisa Cron, and The Creative Writer’s Handbook by Philip K. Jason.

These books can help you learn the basics of how to write well. For example, you can learn how to construct high-quality sentences, how to avoid passive voice, and how to use poetic devices.

The more you learn, the more powerful your writing will become.

Tip 9: Invent Your Own Process

When you’re just starting out as a writer, it can be tempting to copy someone else’s writing process.

Maybe you heard an interview with a bestselling author who said you have to outline a story before you draft it. Or maybe you found out your favorite author writes 1,000 words every day, and now you think you have to write 1,000 words every day too.

But it’s important to remember that no two writers have the exact same writing process. What works best for someone else might not work for you.

There’s no right or wrong way to be a creative writer. Your job is to find a writing process that makes you feel fulfilled, productive, and inspired—and if your favorite writers don’t write the same way, that’s perfectly okay.

Tip 10: Don’t Aim for Perfection

There’s a good chance your writing is never going to be perfect. Mine definitely isn’t!

Remember that writing is about the process, not the product. Even if the final product is never perfect, the process has helped you grow as a writer—and hopefully, it’s also been a lot of fun.

You should decide what your main goal for writing is. Maybe it’s writing stories you might be able to publish someday. Maybe it’s telling stories about characters you rarely see in existing stories. Maybe it’s simply a fun new hobby.

Whatever your goal is, remember that you’re already on your way to achieving it. You don’t need to aim for perfection in order to succeed.

There’s no secret to getting better at creative writing. The process is very simple—it just takes a lot of hard work.

All you have to do is follow this two-step process:

• Step 1: Write consistently
• Step 2: Ask for feedback on your writing

The first step is fairly self-explanatory. Whenever you’re learning a new skill, it’s important to practice it. The more you write, the more you’ll learn about how to be a successful creative writer.

The second step is the one that receives more pushback from writers because it requires a lot of courage and vulnerability, but it’s just as important as the first step.

If you don’t get feedback, you could write every day and still never improve. That’s because most people can’t spot the weaknesses in their own stories.

You can ask for feedback from your friends, family, or writing groups. They can help you see your work from a different perspective and identify areas for improvement.

As long as you write consistently and listen to the feedback on the work you’re producing, you’ll be able to create a positive cycle where you create better and better stories over time.

If you want to improve your creative writing skills, there are numerous resources you can use to find help.

One great method is to join a writing community where you can share your work and get feedback from other writers.

You can look for free critique groups online, on websites such as Scribophile and Critique Circle. Or you can start your own group with your friends.

You can also consider joining a local writing class or retreat. Many schools and community centers offer classes and workshops you can join.

Another option is to use creative writing tools. ProWritingAid can give you AI-powered suggestions about how to improve your prose and make your writing shine.

Good luck, and happy writing!

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Hannah Yang

Hannah Yang is a speculative fiction writer who writes about all things strange and surreal. Her work has appeared in Analog Science Fiction, Apex Magazine, The Dark, and elsewhere, and two of her stories have been finalists for the Locus Award. Her favorite hobbies include watercolor painting, playing guitar, and rock climbing. You can follow her work on hannahyang.com, or subscribe to her newsletter for publication updates.

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Blog • Perfecting your Craft

Posted on Feb 11, 2021

How to Become a Better Writer: 20 Hacks and Tips

About the author.

Reedsy's editorial team is a diverse group of industry experts devoted to helping authors write and publish beautiful books.

About Martin Cavannagh

Head of Content at Reedsy, Martin has spent over eight years helping writers turn their ambitions into reality. As a voice in the indie publishing space, he has written for a number of outlets and spoken at conferences, including the 2024 Writers Summit at the London Book Fair.

Practically speaking, writing is just about putting one word after another. But as anyone who’s struggled with the question of how to become a better writer will tell you, there are sometimes entire worlds of frustration compressed in the seconds between setting each word down. If that sounds familiar, or you’re simply trying to improve your craft without the existential writerly despair, we’ve got 20 essential tips to share with you.

In this post, we’ll be sharing writing advice for everyone, but you can head to our more specific guides on starting from scratch, writing novels, nonfiction, and children’s books if that’s what you’re after:

• How to Start Creative Writing: 7 Ways to Fast-Track Your Writing
• Reedsy's guide to novel writing
• How to Write a Nonfiction Book in 6 Steps  
• How to Write a Children's Book in 7 Surprisingly Simple Steps  

1. Start by spending more time writing

• You’ll get to know your own writing habits better, e.g. the time of day when you’re most productive, or the location where you’re most inspired to write;
• You’ll develop writerly discipline (an essential skill if you ever hope to write a book or another long form project); 💪
• You'll work out what you really like to write, whether that's literary fiction or epic fantasy;
• You’ll stick around long enough for new ideas to occur to you (especially helpful if you’re a pantser, not a plotter ).

2. Practice reading books by other authors

On the level of vocabulary, sentence structure, and rhythm, the “ease and intimacy” King talks about occurs subliminally, beneath the surface of your consciousness, quietly sharpening your perceptive skills. On the level of plot or structure, you actively discover the creative strategies of other writers. Now aware of what others are doing with their words, you become a native to that “country of the writer”. 

Ultimately, the more wonderful things you feed your brain, the richer the pool of knowledge your creativity will be able to draw from.

📚 If you need recommendations, we’ve compiled reading lists for every taste here:

• 25 Creative Writing Examples to Inspire You Today
• The 115 Best Books of All Time
• The 60 Best Nonfiction Books of the 21st Century
• The 125 Best Children’s Books of All Time
• The 30 Best Memoirs of the Last Century
• The Best Short Stories and Collections Everyone Should Read

3. Pick up writing skills from other texts

Okay, enough with the subconscious magical learning — you also need to put in serious, active effort. That means taking apart passages that impress or move you and dissecting another writer’s methodology. 

This will be most helpful if you focus on texts in your genre or form: read respected newspapers or magazines if you’re hoping to submit to such publications, poetic collections if you long to publish poetry , academic papers by reputable academics if you’re a budding scholar. 

Read each sentence carefully, asking yourself how you would have gone about writing it. Notice the differences between each version: look closely at how the other writer avoids repetition and regulates sentence length, and become aware of all the words that could’ve gone into the sentence, but were trimmed out. If you remember the lessons you draw from this exercise, you’ll be on your way to becoming a better writer. 

If you struggle to write consistently, sign up for our How to Write a Novel course to finish a novel in just 3 months.  

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4. Study examples of writing theory

Time for some homework: aside from picking up other writers’ tricks by reading their work, you can also study up on basic writing theories . Learning about structure within stories and the different models that dramatists and fiction writers rely on, like Freytag’s pyramid or the classic structure divided into three acts , is valuable for any aspiring writer. These models are guides to centuries of storytelling tradition: demonstrations of how you might apply a structure onto a story.

When it comes to expressing yourself, brushing up on your literary and rhetorical devices is also helpful. After all, as much as people like to pretend writing is a mystical art, divinely bestowed upon one by magical inspiration, a lot of it comes down to active effort on the writer’s part.

Head to these guides to literary and rhetorical devices if you’re ready for school:

💡 45+ Literary Devices and Terms Every Writer Should Know

💡 30+ Rhetorical Devices Everyone Must Know

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Literary Devices Cheatsheet

Master these 40+ devices to level up your writing skills.

5. Create your own voice

Some people’s advice for learning improving your writing skills is to stick to templates. These can be wonderful if you’re writing something meant to be plain, like a legal document or a freelance proposal . (If this is the case, all you need to do to become a better writer is be accurate, precise, and grammatically correct.) For everything else, by all means inform yourself about things like story structure, but never adhere to templates to the point where your personality is extinguished.

If you’ve got a sense of humor, interests, opinions, or possess literally any other quality unique to human beings (as opposed to bots), you can channel that personality into your writing, and lift mundane subjects up with the buoyancy of your voice.

💡 Need an example? Check out this post on the best reading chairs written by Savannah, one of Reedsy’s writers. You might not have a passion for chairs, but you’ll stay for the engaging tone of her writing voice. 

6. Experiment with your writing style

Hit a plateau? If you don’t feel like you’re improving, it’s time to switch things up. Try writing something completely different to cleanse your palate with the literary equivalent of pickled ginger in a sushi restaurant. Experimentation seems to be working for George R.R. Martin, who has for decades been writing short stories , novellas and even reference books between instalments of his novel series A Song of Ice and Fire — evidently, switching between different forms has helped this author of epic fantasy stay inspired and motivated. 

We’ve got over 1,000 creative writing prompts you can browse for inspiration, as well as an interactive plot generator if you need someone to establish plot parameters for you. We know writers struggle to set themselves deadlines, so you could even join our weekly writing contest — we’re happy to provide you with some external pressure, and $250 if you manage to win!

7. Outline your book 

Openings and endings don’t just matter in fiction. Inherent in all good writing is story: a narrative with a full-fledged arc that must start and end in places that make sense and add value to the entire text.

Writing students commonly struggle with slow or delayed story openings — where the writer takes too long to clear their throat. They can fill two or three paragraphs, several pages, or even an entire chapter before they get to something interesting. 

To sharpen your beginning, try deleting parts of it to get a feel of your work without them. You may find a later passage is more gripping to your reader — you’ll then know you’ve found your true opening.

Endings are similarly crucial. As editor and former publisher Jasmin Kirkbride points out, “Every subplot and all the different strands of your main plot should reach satisfying, clear conclusions. If they are meant to be left ambiguously, ensure your reader knows this, and create something out of that uncertainty.”

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8. Write with a clear vocabulary

As you edit your work , you’ll be thinking of what you intended to say at the time of writing. For that reason, you’ll need to maintain a level of mental alertness that enables you to evaluate whether or not what you ended up writing actually does convey what you wanted to say. This is particularly important if you’re writing nonfiction. 

9. Self-edit for errors in your prose

While we’re discussing lazy, unmemorable writing, this is a reminder that fillers are another literary ‘bad habit’ to actively resist. Cluttering up your prose, these short words sneakily crawl into your writing and distract your reader from the essence of your point. 

In her free Reedsy course on self-editing, Lisa Lepki identifies the most common words in the English language as the culprits of literary clutter. Lisa advises writers to avoid “meandering around [their sentences’] meaning”, and offers this sentence as a wordy example:

“Andy went over to the far end of the playground to see if there was a rake that he could use to tidy up all of the leaves that had fallen down in the night.”

Lisa offers this distilled alternative:

“Mountains of leaves had fallen overnight, so Andy checked the playground for a rake. ”

Sign up to take the rest of this free course here:

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10. Cut the repetitive sentences

One practical way to become a better writer is by consciously analyzing your writing to identify repetitive patterns. This is hard to do during the drafting process, especially if you write your first draft quickly , but it’s mercifully simple in retrospect. So dig out some past writing samples ( creative nonfiction , poems, short stories — anything will do), grab some coloring pencils or highlighters, and mark every instance of repetitive language.

Study your words on multiple levels:

• The lexical level, i.e. specific verbs, adverbs or adjectives you might be repeating (are your characters constantly grinning?);
• The sentence structure level, like if all your examples come in threes;
• The narrative structure level, like if you unwittingly but consistently lapse into new flashbacks.

The point of this exercise is to identify your personal linguistic reflexes — known in linguistics as your “idiolect”. In terms of language use, it’s your fingerprint, and familiarizing yourself with it can help you identify repetition and edit it out of your writing.

💡 If you want to learn more about idiolects, check out this post by one of Reedsy’s writers.

11. Avoid clichéd language  

Clichés are every writer’s stumbling block, ever an uphill battle — though the battle has its ups and its downs, and what matters most is not the destination, but the friends we made along the way. You get our point, hopefully: clichés are lazy, overly familiar, platitudinous, and often boring. Every time you use a cliché, you’re wasting an opportunity to be original and authentic. 

Primarily, our issue with clichés is no moral qualm about authenticity. It’s the simple fact that they completely drain your writing of its ability to be memorable. Lifeless, it falls to the ground, faceless and forgotten.

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12. Understand the ideas behind your work

You’ve already taken the first step toward seeing the bigger picture by honing your opening and ending. Now it’s time to look at all the extraneous stuff outside your text: in other words, situate your writing within a wider framework of similar work. 

13. Respect your reader’s attention 

Don’t lose sight of the fact that there’s a person on the other end of the line. Be a compassionate writer by imagining yourself as the reader: is that fourth paragraph detailing the history of a secondary character’s nomadic tribe really necessary? It’s certainly great world-building , but if it puts your reader to sleep, it’s got to go. 

Similarly, do not manipulate your reader. Pointless plot twists or clickbait will erode your readers’ trust, and hollow hot takes will impress no one. Stick to substance, and skip the paratextual circus act.

14. Get feedback from an editor

Nobody writes flawlessly. Most published writing undergoes significant editing both by its author and professional editors. For example, Raymond Carver’s classic short story collection What We Talk About When We Talk About Love is known to have been extensively shaped by Carver’s editor, Gordon Lish. 

No matter what you’re writing, give your work time to cool before stepping back into it with the fresh eyes of an editor. Assess the clarity of your meaning, expressions, overall structure, your tone, and the mood of the piece, and compare these to the vision you had when you were writing.

Any writing intended for publication should also be professionally edited — and lucky for you, you can hire some of the most experienced fiction or nonfiction editors in the publishing world, right here on Reedsy.

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The best editors are on Reedsy. Sign up for free and meet them.

Learn how Reedsy can help you craft a beautiful book.

15. Be open to constructive criticism

Becoming a writer means releasing your work into the world, and with that comes both praise and criticism. But neither will help you become a better writer if you shut all feedback out. Though some of the criticism you’ll receive may not be helpful, some of it will be, and you’ll struggle to improve your writing if you refuse to see that. Open your heart up to constructive criticism, and you’ll see your writing flourish.

16. Invest in your career with a writing course

While we’re on the topic of learning: there’s plenty of classes and courses you can take, if you’d rather study in a more structured way. If you’re serious about becoming a better writer, whether that’s an author, journalist, ghostwriter , or freelancer , a class can give you access to the wisdom of more experienced professionals — and a real-life class also means meeting mentors and kindred spirits. 

You can check out writing courses online — we’ve got a bunch of completely free courses you can take:

FREE COURSE

Author and ghostwriter Tom Bromley will guide you from page 1 to the finish line.

👩‍🎓 How to Write a Business Book —  taught by business coach Alison Jones

👩‍🎓 The Non-Sexy Business of Non-Fiction — taught by author coach Azul Terronez

Still hungry? Consider pursuing a writing degree. These aren’t just for people looking for creative writing classes — MFAs also focus on nonfiction, so if that’s what you see yourself writing, there are plenty of options. Only you know which program and school would be the best fit for you, and the Internet will be your friend as you work the answer out.

17. Keep company with other writers

Everything’s better with company. Whether your choice is to join a local writing group, critique circle , or an online Facebook group, having friends who are writers means you’ll have someone to bounce ideas off, someone to support you if you feel insecure about your writing, someone to inspire you to work harder, and someone to offer you advice and opinions about your project. All important aspects of improving your skills! ✊

18. Write content consistently

Writing takes a lot of determination and discipline, especially when you’re working on a longer work like a book or a series . Sometimes things won’t work out, and you’ll be frustrated, impatient, demotivated, and temporarily hopeless. All of this is fine, and an entirely normal part of the process. When you get to this stage, be gentle with yourself, but do not give up. 

Writers are often the most stubborn of people: so go ahead and keep writing in spite of yourself, in spite of your insecurities or personal failures, and in spite of what anyone else might think. If that doesn’t earn you the ‘badge’ of a writer, we don’t know what does.

19. Don’t give up on your words

Your ideas will be exciting, but they won’t always be masterpieces. Some you can fix with a zealous edit. Others, not so much. Accept this as a reality and let them float down the river of oblivion. 

We know this sounds contradictory to our last bit of advice, but trust your intuition to decide whether it’s worth persevering with a particular project. For example, there’s no point in trying to resurrect the passion you had for a project you started long ago, if the inspiration has long since left you. There is also little point in pursuing something you began simply because you felt it was what you were supposed to be writing. If it doesn’t speak to you anymore and you see no way to revive the spark, cut your losses and move on. 

20. Embrace failure to become a better writer

Finally, just as you’ll have to handle criticism, you’ll also undoubtedly face rejection and failure. Whether you’re rejected by literary agents , fail to get a publishing deal, or have your stories, pitches, or poems rejected by literary publications, you must remember that failure is an inescapable and inevitable fact of life, and does not determine your worth as a writer. 

Be assured that others fail, too, even if they only fail in private. One of our favorite reminders of how common failure is is the famous CV of failures published by Princeton professor Johannes Haushofer , where he lists every program, award, and position he was rejected from, as a reminder that everyone experiences failure. And if you need a writer-specific example of success despite failure, remember that Douglas Stuart’s novel Shuggie Bain , winner of the 2020 Booker Prize, was rejected 32 times before it received a publisher’s offer.

You don’t need anybody to officially ordain you as a writer — you’re a writer if you believe you’re a writer and write anyway. 

We hope these tips help you figure out how to become a better writer. Your quest is noble, and we believe in you! 

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• Creativity Techniques

26+ Creative Writing Tips for Young Writers

So you want to be a writer? And not just any writer, you want to be a creative writer. The road to being a legendary storyteller won’t be easy, but with our creative writing tips for kids, you’ll be on the right track! Creative writing isn’t just about writing stories. You could write poems, graphic novels, song lyrics and even movie scripts. But there is one thing you’ll need and that is good creative writing skills. 

Here are over 26 tips to improve your creative writing skills :

Read a wide range of books

When it comes to creative writing, reading is essential. Reading allows you to explore the styles of other writers and gain inspiration to improve your own writing. But don’t just limit yourself to reading only popular books or your favourites. Read all sorts of books, everything from fairytales to scary stories. Take a look at comics, short stories, novels and poetry. Just fill your heads with the knowledge and wisdom of other writers and soon you’ll be just like them!

Write about real-life events

The hardest thing about creative writing is connecting emotionally with your audience. By focusing your writing on real-life events, you know that in some way or another your readers will be able to relate. And with creative writing you don’t need to use real names or details – There are certain things you can keep private while writing about the rare details. Using real-life events is also a good way to find inspiration for your stories. 

Be imaginative

Be as crazy and wild as you like with your imagination. Create your world, your own monsters , or even your own language! The more imaginative your story, the more exciting it will be to read. Remember that there are no rules on what makes a good idea in creative writing. So don’t be afraid to make stuff up!

Find your writing style

Thes best writers have a particular style about them. When you think of Roald Dahl , you know his books are going to have a sense of humour. While with Dr Seuss , you’re prepared to read some funny new words . Alternatively, when you look at R.L.Stine, you know that he is all about the horror. Think about your own writing style. Do you want to be a horror writer? Maybe someone who always writes in the first person? Will always focus your books on your culture or a particular character?

Stick to a routine

Routine is extremely important to writers. If you just write some stuff here and there, it’s likely that you’ll soon give up on writing altogether! A strict routine means that every day at a certain time you will make time to write about something, anything. Even if you’re bored or can’t think of anything, you’ll still pick up that pencil and write. Soon enough you’ll get into the habit of writing good stuff daily and this is definitely important for anyone who wants to be a professional creative writer!

Know your audience

Writing isn’t just about thinking about your own interests, it’s also about thinking about the interests of your audience. If you want to excite fellow classmates, know what they like. Do they like football , monsters or a particular video game? With that knowledge, you can create the most popular book for your target audience. A book that they can’t stop reading and will recommend to others! 

Daily Exercises

To keep your creative writing skills up to scratch it is important to keep practising every day. Even if you have no inspiration. At times when your mind is blank, you should try to use tools like writing prompts , video prompts or other ways of coming up with ideas . You could even take a look at these daily writing exercises as an example. We even created a whole list of over 100 creative writing exercises to try out when you need some inspiration or ideas. 

Work together with others

Everyone needs a little help now and then. We recommend joining a writing club or finding other classmates who are also interested in writing to improve your own creative writing skills. Together you can share ideas, tips and even write a story together! A good storytelling game to play in a group is the “ finish the story” game . 

Get feedback

Without feedback, you’ll never be able to improve your writing. Feedback, whether good or bad is important to all writers. Good feedback gives you the motivation to carry on. While bad feedback just gives you areas to improve and adapt your writing, so you can be the best! After every piece of writing always try to get feedback from it, whether it is from friends, family, teachers or an online writing community .

Enter writing competitions

The best way to improve your creative writing is by entering all sorts of writing competitions . Whether it’s a poetry competition or short story competition, competitions let you compete against other writers and even help you get useful feedback on your writing. Most competitions even have rules to structure your writing, these rules can help you prepare for the real world of writing and getting your work published. And not only that you might even win some cool prizes!

Keep a notebook

Every writer’s best friend is their notebook. Wherever you go make sure you have a notebook handy to jot down any ideas you get on the go. Inspiration can come from anywhere , so the next time you get an idea instead of forgetting about it, write it down. You never know, this idea could become a best-selling novel in the future. 

Research your ideas

So, you got a couple of ideas for short stories. The next step is to research these ideas deeper. 

Researching your ideas could involve reading books similar to your ideas or going online to learn more about a particular topic. For example, if you wanted to write a book on dragons, you would want to know everything about them in history to come up with a good, relatable storyline for your book.

Create Writing Goals

How do you know if your writing is improving over time? Simple – Just create writing goals for yourself. Examples of writing goals might include, to write 100 words every day or to write 600 words by the end of next week. Whatever your goals make sure you can measure them easily. That way you’ll know if you met them or not. You might want to take a look at these bullet journal layouts for writers to help you track the progress of your writing.

Follow your passions

Writing can be tedious and many people even give up after writing a few words. The only way you can keep that fire burning is by writing about your true passions. Whatever it is you enjoy doing or love, you could just write about those things. These are the types of things you’ll enjoy researching and already know so much about, making writing a whole lot more fun!

Don’t Settle for the first draft

You finally wrote your first story. But the writing process isn’t complete yet! Now it’s time to read your story and make the all-important edits. Editing your story is more than just fixing spelling or grammar mistakes. It’s also about criticising your own work and looking for areas of improvement. For example, is the conflict strong enough? Is your opening line exciting? How can you improve your ending?

Plan before writing

Never just jump into writing your story. Always plan first! Whether this means listing down the key scenes in your story or using a storyboard template to map out these scenes. You should have an outline of your story somewhere, which you can refer to when actually writing your story. This way you won’t make basic mistakes like not having a climax in your story which builds up to your main conflict or missing crucial characters out.

It’s strange the difference it makes to read your writing out aloud compared to reading it in your head. When reading aloud you tend to notice more mistakes in your sentences or discover paragraphs which make no sense at all. You might even want to read your story aloud to your family or a group of friends to get feedback on how your story sounds. 

Pace your story

Pacing is important. You don’t want to just start and then quickly jump into the main conflict because this will take all the excitement away from your conflict. And at the same time, you don’t want to give the solution away too early and this will make your conflict too easy for your characters to solve. The key is to gradually build up to your conflict by describing your characters and the many events that lead up to the main conflict. Then you might want to make the conflict more difficult for your characters by including more than one issue in your story to solve. 

Think about themes

Every story has a theme or moral. Some stories are about friendship, others are about the dangers of trusting strangers. And a story can even have more than one theme. The point of a theme is to give something valuable to your readers once they have finished reading your book. In other words, to give them a life lesson, they’ll never forget!

Use dialogue carefully

Dialogue is a tricky thing to get right. Your whole story should not be made up of dialogue unless you’re writing a script. Alternatively, it can be strange to include no dialogue at all in your story. The purpose of dialogue should be to move your story forward. It should also help your readers learn more about a particular character’s personality and their relationship with other characters in your book. 

One thing to avoid with dialogue is… small talk! There’s no point in writing dialogue, such as “How’s the weather?”, if your story has nothing to do with the weather. This is because it doesn’t move your story along.  For more information check out this guide on how to write dialogue in a story .

Write now, edit later

Writing is a magical process. Don’t lose that magic by focusing on editing your sentences while you’re still writing your story up. Not only could this make your story sound fragmented, but you might also forget some key ideas to include in your story or take away the imagination from your writing. When it comes to creative writing, just write and come back to editing your story later.

Ask yourself questions

Always question your writing. Once done, think about any holes in your story. Is there something the reader won’t understand or needs further describing? What if your character finds another solution to solving the conflict? How about adding a new character or removing a character from your story? There are so many questions to ask and keep asking them until you feel confident about your final piece.

Create a dedicated writing space

Some kids like writing on their beds, others at the kitchen table. While this is good for beginners, going pro with your writing might require having a dedicated writing space. Some of the basics you’ll need is a desk and comfy chair, along with writing materials like pens, pencils and notebooks. But to really create an inspiring place, you could also stick some beautiful pictures, some inspiring quotes from writers and anything else that will keep you motivated and prepared. 

Beware of flowery words

Vocabulary is good. It’s always exciting when you learn a new word that you have never heard before. But don’t go around plotting in complicated words into your story, unless it’s necessary to show a character’s personality. Most long words are not natural sounding, meaning your audience will have a hard time relating to your story if it’s full of complicated words from the dictionary like Xenophobia or Xylograph .

Create believable characters

Nobody’s perfect. And why should your story characters be any different? To create believable characters, you’ll need to give them some common flaws as well as some really cool strengths. Your character’s flaws can be used as a setback to why they can’t achieve their goals, while their strengths are the things that will help win over adversity. Just think about your own strengths and weaknesses and use them as inspirations for your storybook characters. You can use the Imagine Forest character creator to plan out your story characters. 

Show, don’t tell

You can say that someone is nice or you can show them how that person is nice. Take the following as an example, “Katie was a nice girl.” Now compare that sentence to this, “Katie spent her weekends at the retirement home, singing to the seniors and making them laugh.”. The difference between the two sentences is huge. The first one sounds boring and you don’t really know why Katie is nice. While in the second sentence, you get the sense that Katie is nice from her actions without even using the word nice in the sentence!

Make the conflict impossible

Imagine the following scenario, you are a championship boxer who has won many medals over the year and the conflict is…Well, you got a boxing match coming up. Now that doesn’t sound so exciting! In fact, most readers won’t even care about the boxer winning the match or not! 

Now imagine this scenario: You’re a poor kid from New Jersey, you barely have enough money to pay the bills. You never did any professional boxing, but you want to enter a boxing competition, so you can win and use the money to pay your bills. 

The second scenario has a bigger mountain to climb. In other words, a much harder challenge to face compared to the character in the first scenario. Giving your characters an almost impossible task or conflict is essential in good story-telling.

Write powerful scenes

Scenes help build a picture in your reader’s mind without even including any actual pictures in your story. Creating powerful scenes involves more than describing the appearance of a setting, it’s also about thinking about the smell, the sounds and what your characters are feeling while they are in a particular setting. By being descriptive with your scenes, your audience can imagine themselves being right there with characters through the hard times and good times!

There’s nothing worse than an ending which leaves the reader feeling underwhelmed. You read all the way through and then it just ends in the most typical, obvious way ever! Strong endings don’t always end on a happy ending. They can end with a sad ending or a cliff-hanger.  In fact, most stories actually leave the reader with more questions in their head, as they wonder what happens next. This then gives you the opportunity to create even more books to continue the story and keep your readers hooked for life (or at least for a very long time)! 

Over 25 creative writing tips later and you should now be ready to master the art of creative writing! The most important tip for all you creative writers out there is to be imaginative! Without a good imagination, you’ll struggle to wow your audience with your writing skills. Do you have any more creative writing tips to share? Let us know in the comments!

Marty the wizard is the master of Imagine Forest. When he's not reading a ton of books or writing some of his own tales, he loves to be surrounded by the magical creatures that live in Imagine Forest. While living in his tree house he has devoted his time to helping children around the world with their writing skills and creativity.

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Creative writing, story development, story structure, narrative science.

Creative Writing Tips

Our most popular creative writing tips, tricks, and techniques for every writer from beginners to master storytellers.

You can also explore our newest creative writing tips or search the entire library

Our Most Popular Creative Writing Tips

10 Essential Tips for Beginning Writers

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In Search of Your Writer’s Identity

It starts with a single compromise to oneself – doing a job you hate in order to achieve something you want or putting your own art on hold to pay the bills. Find out how to rediscover your creative self.

The Author’s Journey

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Back to Work, Writers!

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It is hard to describe the art of storytelling, but you know good storytelling it when you read it. You read a passage of prose and it raises your arm hairs, makes your blood tingle, gets your heart racing; suddenly you’re swept up in the experience of beautiful writing.

Indeed, writers seem to possess a certain magic of storytelling—but anyone can learn the tricks of the trade. From story structures to style advice, this article covers the storytelling techniques that make readers laugh, weep, gasp, and stay up past their bedtimes.

Along the way, we discuss the key elements of storytelling, and we answer the question “Why is storytelling important?” But first, let’s dissect the art of storytelling itself. How do writers tell great stories?

Storytelling Contents

Story Versus Situation

• Point of View
• Style & Word Choice

20 Storytelling Techniques

Why is storytelling important, storytelling definition.

What is storytelling? It depends on whom you ask. A sociologist will tell you it’s mankind’s way of preserving history and identity; an anthropologist will say that it’s what distinguishes man from the rest of the animal kingdom.

Storytelling is the process of weaving language into a concrete narrative, with the purpose of creating rich, believable experiences.

For writers, storytelling is the process of weaving language into a concrete narrative, with the purpose of creating rich, believable experiences. To do this, storytellers tie together character and plot, resulting in stories that act as metaphors for the human experience.

In other words, storytellers don’t just relay facts: they use words in a way that the reader or listener can sit inside the story itself as though they were really there.

This is true regardless of genre—writers of sci-fi, fantasy, and horror create stories just as believable as writers of literary fiction . Nonfiction authors and poets also demonstrate mastery over the art of storytelling, though they may use different storytelling techniques.

The reader can sit inside the story itself as though they were really there.

The magic of storytelling is found in the power of stories themselves. Many writers, however, confuse “story” with “situation,” having not been taught the difference between these two concepts.

Here’s a breakdown of the difference between storytelling and situation-telling, as explained by our instructor Jeff Lyons .

https://writers.com/stories-vs-situations-how-to-know-your-story-will-work-in-any-genre

7 Elements of Storytelling

No matter the tale, every work of prose (and many poems) rely on these 7 elements of storytelling.

Plot is the skeleton of storytelling. You can have a gorgeous prose style with deeply relatable characters, but without a logical flow of events, your story will confuse the reader. For a story to emulate real life, it needs to follow a real-life series of plot points.

Now, this doesn’t mean that your story needs to follow chronological order. Many stories experiment with the order of events, or they jump over decades of time, or they weave together the present with the past. There’s no need to stick to one timeline: time is a thread, and can be interwoven to create rich tapestries.

Your characters write your plot; your plot doesn’t write your characters.

Nonetheless, your reader needs to follow the plot to understand your story. And remember: your characters write your plot; your plot doesn’t write your characters.

For more advice on crafting effective plots, take a look at these articles on:

• Freytag’s Pyramid
• How to Write a Story Outline

2. Character

Equally important to the art of storytelling is the characters that populate your work. Every event that takes place in your story is defined by your characters’ thoughts, feelings, and actions. Although some plot points are outside of their control, it’s your characters’ responses to conflict that make a story worth reading.

Writers must consider how the reader will connect with the story’s characters. If those characters have depth, understandable motives, and relatable flaws, the reader will feel much more engrossed in the story. Stephen King sums this up nicely when he writes:

“I try to create sympathy for my characters, then turn the monsters loose.” —Stephen King

Once we relate to the story’s characters, we care about what happens to them, and we’re willing to follow them along their personal journeys. Each character of your story—including your protagonist, antagonist, secondary and tertiary characters—should feel like real, flesh-and-blood human beings.

For more advice on writing realistic characters, take a look at these articles:

• Character Development Definition, Questions, & 40 Character Traits
• Character Development Advice
• How to Write Dialogue
• Crafting Your Protagonist
• Writing An Antagonist
• Foil Characters
• Static Vs Dynamic Characters
• Round Vs Flat Characters
• Anti Hero Characters

You might also benefit from this Character Development PDF .

3. Point-of-View

Point-of-View (POV) defines who is communicating to the reader , and from what vantage point. The story’s narrator influences how the story is told and what information the reader has access to.

Writers have 5 points of view to choose from:

• First Person (“I”): The narrator is the protagonist, and we view the story from their perspective. This is generally the most intimate storytelling POV.
• First Person Peripheral (“I”): The narrator is a close acquaintance of the protagonist, and we view the story from their perspective. An example of this is Nick Carraway, narrator of The Great Gatsby .
• Second Person (“You”): The narrator casts the reader as the story’s protagonist. This is a way to make the reader intimate with the story’s events, but it’s a hard sell—stories are rarely written in the 2nd person.
• Third Person Limited (“He/She/They”): The narrator tells the story from the vantage point of one or a few protagonists. The narrator only knows what the protagonist also knows.
• Third Person Omniscient (“He/She/They”): The narrator tells the story from multiple vantage points. The narrator knows more than any character in the story knows, and the narrator often weaves this knowledge together to craft a deeper, more holistic story.

A story’s point of view will affect the storytelling techniques and strategies that the author uses. Bear in mind, too, that a story can switch between different POVs. Learn more about POV at our article What is Point of View in Literature ?

At its most basic, setting is where your story takes place, but setting can serve many more functions than just this. The relationship that your characters have to their setting influences the story’s pace, plot, conflict, and even its themes.

Your characters will, in some way or another, be defined by their setting. The personality of someone from Cheyenne, Wyoming will differ greatly from a character who grew up in Hell’s Kitchen, New York City, and both of these people will experience the world differently than someone who grew up in Seoul, South Korea. Setting implies culture, worldview, and language, even if your character tries to push back against their upbringing.

Your characters will, in some way or another, be defined by their setting.

Setting also influences dialogue and action. An argument at the dinner table will (probably) sound different than an argument in a restaurant; a fist fight in a parking lot will go a different route than a fist fight in an office.

Finally, setting can build symbolism . If your protagonist lives in a rundown, ramshackle house, this house can represent his ramshackle life; a character that lives in a gentrified apartment building in an otherwise poor neighborhood might be equally ritzy and oblivious to the world around her.

Just be careful not to stereotype—setting is just one of many influences on a character’s psyche and worldview. For more advice on writing setting, take a look at our article What is the Setting of a Story?

5. Style & Word Choice

One of the more intangible elements of storytelling, style refers to the unique way that an author tells their story.

Style occurs at both a line-level and a global level. At the line-level, style is influenced by a story’s word choice, syntax, sentence structure, sentence length, and the observational details that the author includes.

At the global level, style is influenced by the story’s pacing, the way the story presents information, the length of scenes and chapters, and the author’s own literary influences.

All of these things culminate in the author’s thumbprint. There’s no singular reason why a novel by Haruki Murakami is so vividly distinct from a novel by Margaret Atwood. All of the aforementioned elements coalesce into something unique and intangible, but nonetheless present in the atmosphere of the author’s work.

Style isn’t forced: it develops naturally as the author grows into their storytelling role. For advice on honing your style, read our articles:

• The Importance of Word Choice in Writing
• How to Write a Compelling Story
• What is Tone in Literature?
• How to Avoid Cliches in Writing

6. Conflict

Every story has conflict. Conflict is the lifeblood of storytelling: without it, your characters don’t undergo any growth or finish any journey.

Conflict can manifest itself in many ways. The protagonist wants something, but has to overcome certain obstacles to get it; or they want something, but an antagonist stands in the way; or an antagonist uproots the protagonist’s life; or the protagonist seeks a life of their own, but doesn’t know how to build one.

The road to resolving conflict is never easy, but that’s what makes great stories!

In any case, conflict has to do with the protagonist having certain needs, desires, or struggles. Great stories involve the protagonist having to undergo personal journeys in order to get what they need. The road to resolving conflict is never easy, but that’s what makes great stories!

For more on conflict, take a look at our article What is Conflict in a Story?

Also check out What Does Your Character Want? Conflict is closely related to theme, which we discuss below.

The aforementioned elements of storytelling culminate in theme. At its simplest, theme answers the question “What is this story about?”

The story’s plot, characters, and conflicts revolve around certain abstract issues. Romeo & Juliet , for example, revolves around the themes of love, fate, and family; A Tale of Two Cities has themes of war, revolution, justice, and power & corruption.

In other words, theme describes the central ideas that a piece of writing explores. And, because a story is propelled by conflict, theme and conflict are closely intertwined. If the protagonist’s needs are jeopardized because of the government, the theme might be “justice” or “power & corruption.” Or, if the protagonist’s needs aren’t being met because they’ve just survived an apocalypse, the theme might be “the environment” or “man vs. nature.”

The job of the storyteller isn’t to resolve those themes: themes should be open-ended, debatable, and thought-provoking. Two readers may have vastly different, yet equally defensible, interpretations of a theme. Rather, the storyteller’s job is to present clear conflicts, flawed characters, and navigable plots; theme, often, follows on its own accord.

To learn more about theme and read some theme examples, read our article What is Theme?

In addition to these elements of storytelling, writers use the following storytelling techniques to craft engaging, compelling stories.

Storytelling Techniques

The elements of storytelling answer what storytellers do at a global level. But when it comes to actually crafting the story—stringing one word after another to move the reader along—what do storytellers do?

Below are some tried-and-true methods of telling engaging stories. Note that this list is not exhaustive: us writers have been refining the art of storytelling for millennia, and this is just a sample of the many tools at our disposal.

Backstory describes the history of a character or setting. By providing relevant historical detail, the author gives contexts for certain conflicts and relationships that exist within the main narrative.

The relationship between backstory and narration can be difficult to refine, because too much backstory will slow down the pace of the work at large. Like most storytelling techniques, be economical—you shouldn’t provide more backstory than necessary.

That said, backstory can span chapters of the text, if needed. By providing valuable insight into a character’s psyche and motives, backstory helps the reader understand the decisions that character makes and the problems they face.

Deus Ex Machina

Deus Ex Machina is a plot device where something outside of the protagonist’s control interferes with the story, usually resolving the story’s conflict. This term comes from the Latin for “God from the machine,” and it refers to a convention of Ancient Greek plays in which an actor, playing as a god, was mechanically lowered onto the stage.

Deus Ex Machina can take many forms. Perhaps a natural disaster kills the antagonist, or two friends discover they’re actually long lost sisters, or an actual god intervenes on the protagonist’s behalf. In any case, Deus Ex Machinas never occur by the protagonist’s own volition.

Generally, Deus Ex Machina is frowned upon as an easy way out of conflict. Rather than giving the protagonist agency, the author has decided to interrupt the protagonist’s journey and personal growth. At the same time, Deus Ex Machina can create new artistic possibilities, especially if the author is writing in genres like absurdism, surrealism, or magical realism .

Ethos, pathos, and logos are three storytelling strategies often associated with rhetoric, but they apply just as readily to the art of storytelling.

In creative writing, Ethos describes the author’s credibility as a storyteller. Ethos is built from both the author’s reputation and from their ability to relay facts accurately, without harmful bias or intentionally misleading the reader.

Now, authors need to have a credible ethos, but narrators don’t. Remember that Point of View is one of the essential elements of storytelling. One way that writers can twist Ethos is by writing an unreliable narrator —someone who distorts facts, misleads the reader, and creates their own reality. Pulling off an effective unreliable narrator can prove difficult, but it can also create some very entertaining twists in the story.

To learn more about ethos, pathos, and logos, check out our article on rhetorical devices .

Foreshadowing

Foreshadowing refers to moments in the story that predict later events. When the narrator foreshadows, they usually hint at the story’s climax, but any future plot point is fair game for foreshadowing.

The best foreshadowing is memorable, but subtle enough that you don’t realize it’s foreshadowing until later. For example, in The Great Gatsby by F. Scott Fitzgerald, the drunk Miss Baedeker foreshadows Gatsby’s death when she complains of getting her “head stuck in a pool.”

A more ostensible example is Gatsby’s relationship to the green light on Daisy’s property. He reaches out to the green light but can never hold it, much like he reaches out to Daisy but can never hold her. You may note that this is also an example of symbolism, and indeed, foreshadowing can coincide with many other literary devices.

In Media Res

*Record Scratch* “Yep, that’s me. You’re probably wondering how I got here.”

In Media Res (Latin: in the middle of things) is a plot device in which the story begins in the middle, rather than at the beginning. By doing this, the author throws the reader directly into the story’s conflict. Eventually, the inciting incident and character backstories are provided.

The In Media Res strategy helps generate intrigue for the story, its plot, and its characters. Rather than set up the conflict in chapters of exposition, we are launched directly into the drama.

Some famous stories that begin In Media Res include The Odyssey by Homer, The Gambler by Fyodor Dostoevsky, The Handmaid’s Tale by Margaret Atwood, and Wuthering Heights by Emily Brontë.

Literary Devices

Literary devices are methods of creating deeper meanings within a text. By harnessing the power of comparison, connection, and sound, writers use literary devices to take their work beyond a literal meaning . Literary devices create nuance and depth, making them essential to the art of storytelling.

Try your hand at different literary devices from this article.

https://writers.com/common-literary-devices

Logos is the use of logic and reasoning to persuade the reader. While Logos most commonly presents itself in rhetorical essays and arguments, it also has its place in creative writing.

Authors will most often use logos in relation to the story’s themes. For example, the novel To Kill a Mockingbird by Harper Lee is about racial justice in the United States. When lawyer Atticus Finch defends the wrongfully accused Tom Robinson, he uses logos to appeal to the courts that Tom is innocent.

But Atticus’ logical appeal isn’t just to the courts, it’s to the readers themselves. When Tom is convicted anyway and later killed, the reader understands exactly how society disregards Logos when it comes to the plight of black men. Through these plot points, the novel intricately examines its themes of justice, and how justice is not evenly distributed in American society.

A MacGuffin describes a character’s motives. Every character is chasing something in particular, whether that be a physical object or an abstract concept. Items like The Holy Grail or the Rings of Power are MacGuffins, and so are ideas like love, revenge, and stability.

MacGuffins are one of the most open-ended storytelling techniques, because a character’s motives can be virtually anything. Additionally, a MacGuffin can be both openly stated or obscure. In Pulp Fiction , for example, the movie’s MacGuffin is a briefcase, but the contents of that briefcase are never revealed, highlighting the movie’s senseless violence in the pursuit of nothing.

If the story’s MacGuffin is a physical object, that object often symbolizes something deeper for the main characters. Nonetheless, your characters can pursue whatever they want, just as people in real life pursue their own mysterious MacGuffins.

Mythology provides a powerful reservoir of storytelling for modern day authors. By “mythology,” we’re referring to any set of stories, narratives, folklore, poems, and epics particular to a certain culture, with the intent of relating that culture’s religious and moral beliefs.

References to ancient myth abound in both classic and contemporary literature. This is for three reasons:

• First, mythologies are commonly read stories. You can connect with the reader using myth as a stepping stone, especially if that myth is widely familiar.
• Second, myths act as their own symbols. If you reference the story of Icarus, your reader will know you are referencing the tragedy of Hubris.
• Third, mythology allows the reader to create relevant cultural contexts. Haruki Murakami often incorporates Japanese folklore into his work, and the novel Beauty is a Wound by Eka Kurniawan relies heavily on Indonesian mythology.

Pathos is an appeal to the reader’s emotions. Because the experience of reading relies so much on the reader’s own empathy, harnessing the power of pathos is key to the art of storytelling.

Storytellers generate pathos simply by writing relatable characters. When the reader connects with a character as if they were a real human being, the reader also feels that character’s pain, struggles, and triumphs. Always assume that your reader wants to connect with your characters, that they want to feel your story pour salt in the wound. This is equally true for your antagonist, assuming that antagonist is also a human being.

Think about the things that everyday, ordinary people yearn for. Maybe it’s stability, love, a sense of belonging; maybe they relate to stories of natural disaster, unrequited love, or being a misfit. Consider your reader and what they might connect with, and make Pathos your doorway into the reader’s heart.

A quibble is a technicality that, though minor, often resolves the plot in a major way.

Let’s say your protagonist makes a bet with someone, and they lose that bet. The price they pay for that bet is death. Your protagonist may save their own life by arguing that the bet should follow the exact verbal agreement that they made—and by invoking this technicality, your protagonist manages to evade death entirely.

Of course, quibbles can go against the protagonist’s wishes, too. In Macbeth , the Three Witches tell Macbeth that “none of woman born” can kill him. Macbeth assumes this to mean he is invincible, but he is later killed by Macduff, who was C-sectioned rather than “born from” a woman.

If written haphazardly, a quibble can be just as convenient as a Deus Ex Machina. Nonetheless, quibbles often surprise the reader, as they chip at the seeming absoluteness of fate.

Red Herrings

In both rhetoric and literature, a red herring is something that distracts the reader. You will most often see red herrings in mystery novels, as the novelist is trying to prevent the reader from solving the mystery until the very end.

Red herrings are one of the more versatile storytelling techniques, as they take many different forms. A red herring can be a clue falsely pinned to an innocent person; it can be a forced confession, or an unreliable narrator falsifying the past, or even a coincidence that the writer didn’t intend.

Although red herrings are a fun twist to the art of storytelling, use them sparingly. As an author, you have an implicit contract with the reader to tell your story faithfully; too many distractions and misleading elements will make the reader lose faith in your storytelling.

Rhetorical Questions

A rhetorical question is a question that’s posed for the sake of asking, rather than the sake of being answered. In other words, it’s a question meant to provoke the reader.

Rhetorical questions are often open-ended. While a narrator can pose rhetorical questions, they usually come from a character in the story.

A famous example of this is in Shakespeare’s Julius Caesar , when Caesar asks Brutus “Et tu, Brute?” This question has no answer—after all, Caesar is about to die—but it prompts the reader to think about Brutus’ betrayal of trust and friendship.

In everyday speech, we use rhetorical questions all the time. Who knows? Why not? Is the sky blue? Rhetorical questions can help make your dialogue seem more human, and it can also provoke your reader’s thoughts and emotions.

Rule of Threes

The Rule of Threes states that readers best respond to information that’s presented in lists of three. This applies to everything, from basic descriptions to global, structural elements in a story.

The Rule of Threes happens at the line level, especially with description. If I tell you my cat is “young, fluffy, and orange,” those three images give you a solid description. If I tell you my cat is “young, fluffy, loud, stubborn, fast, destructive, capricious, and orange,” I’ve overloaded my description with adjectives, and you won’t know what part of that information is essential .

The Rule of Threes also applies to story structures. Many stories have, at most, three main characters. Many plots have three main events: an inciting incident, a climax, and a falling action (or response to the climax). If a novel has sections, it often has three sections; if a style has multiple settings, it usually has three main ones.

This is not a hard and fast rule—in fact, most rules in writing are suggestions. Nonetheless, your writing will lose the reader’s attention and brainspace if it presents too much information. The Rule of Threes is not immutable, and you don’t need 3 of everything.

But, when it comes to the central elements of your work, try to keep it to three discrete items. Otherwise, you might lose your grip on the magic of storytelling.

Show, Don’t Tell

What is storytelling without the show, don’t tell rule? “Show, don’t tell” is a way of using imagery to relay an experience to the reader, rather than spoon feeding that experience through literal description. The effect is that your reader becomes immersed in the story, perceiving everything that your characters perceive as though they were really there.

“Don’t tell me the moon is shining; show me the glint of light on broken glass.” —Anton Chekhov

To master the show, don’t tell rule, read through our in-depth article.

https://writers.com/show-dont-tell-writing

Stream of Consciousness

Stream of Consciousness is a writing technique in which a character’s thoughts are written directly onto the page, without any filter or editing. The author, assuming the persona of their character, observes their thoughts and impartially transcribes those thoughts into narration and internal dialogue.

Because stream of consciousness attempts to capture the idiosyncrasies of human thought, the prose itself can be difficult to follow. Authors may write using free association, frequent repetition, disjointed imagery, and a keen focus on senses and emotions. The prose often follows a nonlinear fashion, it may use punctuation frenetically, and it certainly won’t have the polished, edited feel of a typical manuscript.

To be clear: this is perhaps the most difficult of storytelling techniques to master. If you want to write stream of consciousness, start by simply keeping a personal journal , observing the nature of your own thoughts as they flow onto the page. It’s also worth reading the masters of the technique, like James Joyce, William Faulkner, and Virginia Woolf.

The Everyday

Even characters in sci-fi, fantasy, and thriller novels have quotidian, everyday lives. Providing a glimpse into their everyday lives helps make the story more accessible to the reader.

What do those everyday details look like? A daily commute, a morning shower, a stop at the grocery store after work. It can also be everyday annoyances: swatting at mosquitoes in the evening, holding your breath when you walk past a sewer grate, forgetting not to scratch at the rash on your wrist, etc.

What do these boring, everyday tasks do? One, they humanize your characters, giving them relatable behaviors that act as windows to their worlds. Two, these tasks show the reader what everyday life looks like before the inciting incident . Once the protagonist’s life becomes upended by something major, we now relate to the character on a personal level and want them to succeed on their journey.

Just be careful not to provide too many everyday details that your story loses sight of its plot. The reader doesn’t need to see every moment in a typical day of your protagonist’s life—and, unless it’s extremely relevant, don’t start your story with your protagonist waking up, as this is an overdone cliché.

A trope is a theme or archetype that shows up regularly in a genre of work. Tropes give structure to a story, providing a kind of scaffolding that the author can manipulate and build from, creating a story both fresh and readable. In genre fiction, tropes are essential to the art of storytelling.

Tropes are commonly misconstrued as clichés, but that’s not the case. For example, a trope in the romance genre is the “meet-cute,” where two soon-to-be-lovers meet each other in a unique and adorable situation. While this trope recurs throughout romance fiction, writers are free to experiment with the meet-cute in their own original ways.

If you intend to write genre fiction, or even to pull from different genres in your own literary work, it’s important to familiarize yourself with that genre’s tropes. The wiki TV Tropes is a fantastic resource for this, covering tropes in both film and literature.

Vernacular refers to regional dialects. Like “the everyday,” vernacular helps humanize your characters, while also establishing a sense of place in your story.

If your characters are strongly immersed in the culture of their upbringing, do some research on the vernacular of that place. For example, a character who grew up in Wisconsin should say “bubbler,” not “water fountain.”

Language, and even just the English language, is fantastically diverse. Using vernacular in your characters’ dialogue makes them feel more flesh-and-blood, and it also provides some entertaining moments in language and storytelling.

Wordplay makes for enjoyable, engaging storytelling. Twists of phrase create memorable moments of narration and dialogue, keeping the reader glued to the page.

Wordplay comes in many different forms. Puns, malapropisms, neologisms, oxymorons, kennings, onomatopoeias, portmanteaus, zeugmas, and contronyms are just some of the ways that writers have fun with language.

Additionally, sound devices like alliteration and rhyme also create memorable, meaningful moments in language.

Way before the printing press and the invention of modern prose, storytellers told their tales orally and entirely in verse. The epic poem was a way of sharing stories, and because pencil and paper were scarce in antiquity, storytellers had to memorize their work. These wordplay devices were ways of memorizing stories, allowing the storyteller to move through the plot while keeping the listener entertained.

Thus, these tools are freely at the writer’s disposal, and storytellers are encouraged to use them. Wordplay is essential to the magic of storytelling, so harness the magic of words!

To learn more about wordplay, check out our article: Word Play: Examples of a Play on Words

The above elements and techniques coalesce into the power of storytelling. But, why is storytelling important?

In short, storytelling is the closest that writers come to creating real worlds, characters, and events. When a story is told well and meaningfully, the reader is transported into a world of the writer’s own making—a world with its own rules, laws, physics, relationships, and ideas. In this world, the writer can twist emotions, make powerful statements, and entertain the reader in beautiful ways.

But for the reader to access this world, the writer needs to use storytelling techniques. Storytelling is a portal into a different dimension, or a doorway into an unexplored house, or a bridge across a river, or a rocketship to different planets.

You must transport your reader if you want to persuade, inspire, or provoke them.

Whatever the metaphor, you must transport your reader if you want to persuade, inspire, or provoke them. This is what makes writers both fantastically powerful and fantastically human.

Wield the Art of Storytelling at Writers.com

The instructors at Writers.com have mastered these storytelling techniques, and they’re ready to show you the craft. Gain meaningful feedback and insight on your work, and harness the magic of storytelling in one of our upcoming courses .

Sean Glatch

[…] Capturing the Art of Storytelling: Techniques & Tips […]

very useful your article

Wisconsin native here. Bubbler is a southeastern Wisconsin term. It was probably originally a Milwaukee area term. Most wisconsinites outside that area have never heard the term bubbler and instead use drinking fountain or water fountain. I grew up in Wisconsin and never heard of it until we moved down into the southern part of the state. My kids came home from their first day of school and asked if I’d ever heard of a bubbler and I hadn’t. 🙂

Thanks, Steve! I’m a Milwaukee native myself, and thought it was a statewide thing. It’s always fun to say “bubbler” outside the state and have people look really, really confused.

It’s even more fun to use it in different countries and get people REALLY REALLY confused.

[…] Metaphors, analogies, and vivid descriptions can be employed to illustrate abstract ideas and engage readers in a way that straightforward explanations […]

[…] look at each of these items and more. Creating real, flesh-and-blood people is essential to great storytelling, so let’s explore the alchemy of turning words into real people—creating characters from […]

Very useful tips, thank you

[…] Each of these elements plays a crucial role in shaping the narrative. For instance, the setting influences pace, plot development, and conflict resolution. The point of view choice impacts how readers engage with the story6. […]

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Creative Writing Techniques Examples: Tips to Improve Your Writing Skills

By: Author Paul Jenkins

Posted on Published: June 12, 2023  - Last updated: July 31, 2023

Categories Writing , Creativity

Creative writing is a form of writing that allows authors to express themselves uniquely and imaginatively. This genre enables writers to use their creativity to develop original stories, characters, and settings. However, creative writing can be challenging, and writers often struggle to develop fresh ideas and techniques to make their writing stand out.

Fortunately, there are several techniques that writers can use to enhance their creative writing skills. These techniques can help writers develop their unique style and voice and create compelling stories that capture the reader’s attention.

By incorporating these techniques into their writing, authors can transform their stories from ordinary to extraordinary. This article will explore some examples of creative writing techniques that can help writers take their writing to the next level.

What is Creative Writing?

Creative writing is the art of writing in a way that is imaginative and original. It involves using language to create an engaging and thought-provoking narrative. Creative writing can take many forms, including fiction, poetry, essays, nonfiction, novels, novellas, short stories, flash fiction, scripts, and graphic novels.

Fiction is a form of creative writing that involves creating a story not based on real-life events. It can take many forms, including novels, novellas, and short stories. The writer uses their imagination to develop characters, plot, and setting in fiction.

Poetry is another form of creative writing that involves using language in a rhythmic and expressive way. Poets use words to create images and emotions, often through metaphor and other literary devices.

Essays are a form of creative nonfiction that involves exploring a particular topic or idea. They can be personal or academic and often involve the writer’s own experiences or observations.

Nonfiction is a form of creative writing that is based on real-life events. It can take many forms, including memoirs, biographies, and journalistic writing.

In conclusion, creative writing is a diverse and dynamic field encompassing many forms and styles. Whether you are interested in fiction, poetry, essays, nonfiction, or any other form of creative writing, there are many techniques and examples available to help you develop your skills and express your ideas uniquely and engagingly.

Why Use Creative Writing Techniques?

Creative writing is a powerful tool to help you express your thoughts and emotions uniquely and compellingly. Using creative writing techniques, you can engage your reader’s imagination, evoke strong emotions, and create an original piece of art reflecting your style and perspective.

Here are some reasons why you should consider using creative writing techniques:

Engage Your Reader

Creative writing techniques can help create a powerful emotional connection with your reader. By using vivid descriptions, sensory details, and well-crafted dialogue, you can transport your reader to a different time and place and make them feel like they are part of the story.

Express Your Emotions

Creative writing can be a cathartic experience that allows you to express your emotions safely and constructively. By exploring your feelings through writing, you can better understand yourself and your experiences and find new ways to cope with difficult emotions.

Stimulate Your Imagination

Creative writing can be a fun and exciting way to stimulate your imagination and explore new ideas. By experimenting with different writing styles and techniques, you can push the boundaries of your creativity and discover new ways to express yourself.

Create Artistic Expression

Creative writing is a form of artistic expression that allows you to showcase your unique voice and perspective. By using creative writing techniques, you can create a piece of art that is both beautiful and meaningful and that reflects your vision of the world.

Foster Originality

Creative writing is all about originality and creativity. Using creative writing techniques, you can break free from conventional writing rules and create something unique and original. This can help you stand out from the crowd and make a lasting impression on your readers.

Creative writing techniques can also persuade your readers and influence their opinions. By using persuasive language and rhetorical devices, you can make a compelling argument and convince your readers to see things from your point of view.

Finally, creative writing can be a great way to improve your focus and concentration. By setting aside dedicated time for writing, you can train your brain to focus on a single task for an extended period, which can help you become more productive and efficient in other areas of your life.

In conclusion, creative writing techniques can be a powerful tool for expressing your thoughts and emotions, engaging your readers, and creating original works of art. Whether you are an experienced writer or just starting out, there is always room to experiment with new writing styles and techniques and to discover new ways to express yourself through writing.

Examples of Creative Writing Techniques

Creative writing is an art form that allows writers to express themselves in unique and imaginative ways. There are many techniques that writers can use to create compelling stories, poems, plays, and more. This section will explore some examples of creative writing techniques that can help writers enhance their craft .

Imagery and Metaphor

Imagery and metaphor are effective tools writers can use to create vivid and engaging descriptions. Metaphors are comparisons between two things that are not the same, while imagery refers to the use of sensory details to create a mental picture in the reader’s mind. For example, in the sentence “Her eyes were pools of sadness,” the metaphor compares the eyes to pools, while the imagery creates a visual image of the eyes.

Storytelling and Plot

Storytelling and plot are essential elements of creative writing. A well-crafted plot can keep readers engaged and eager to know what happens next. A good plot has a clear narrative structure, including a beginning, middle, and end, and includes conflict and resolution.

For example, in a mystery novel, the conflict might be a crime that must be solved, while the resolution is discovering the culprit.

Character Development

Characters are the heart of any story, and developing them is crucial to creative writing. Writers can create compelling characters by giving them unique personalities, emotions, and motivations. Dialogue is also an important tool for character development, allowing writers to show how characters interact with each other and reveal their personalities.

Descriptive Writing

Descriptive writing is creating vivid descriptions that engage the reader’s senses. Writers can use descriptive language to create a sense of place, convey emotions, and create a mood. For example, in the sentence “The sun sank slowly behind the mountains, casting long shadows across the valley,” the writer uses descriptive language to create a visual image and convey a sense of the passing of time.

Literary Devices

Literary devices are techniques writers use to create meaning and impact. Some common literary devices include personification, alliteration, and repetition. For example, in the sentence “The wind whispered through the trees,” personification gives the wind human-like qualities.

Writing Exercises

Writing exercises are a great way to develop your writing skills and experiment with different techniques. Some popular writing exercises include free writing, writing prompts, and character sketches. These exercises can help writers develop their writing habits and overcome writer’s block.

Form and Genre

Form and genre are important considerations for writers. Different forms and genres have different conventions and expectations. For example, poetry often uses imagery and metaphor to create meaning, while academic writing focuses more on evidence and conclusion.

Writing Techniques for Success

Writing techniques for success include focusing on craft, originality, and persuasion. Writers can improve their craft by studying the work of other writers and practicing their writing skills. Originality is important for standing out in a crowded field, while persuasion is important for convincing readers of your opinion or argument.

In conclusion, creative writing is a complex and multifaceted art form that requires skill, focus, and originality. By using the techniques and examples outlined in this section, writers can enhance their craft and create compelling stories, poems, plays, and more.

Creative Writing Techniques for Different Genres

Regarding creative writing, each genre has unique techniques that can help writers express their ideas more effectively. This section will explore some of the most popular genres and the best techniques in each one.

Fiction encompasses various genres, from novels and novellas to short stories and flash fiction . Some of the most effective techniques for writing fiction include:

• Creating compelling characters that readers can relate to and care about
• Building a strong plot with a clear beginning, middle, and end
• Using sensory details to bring the setting to life
• Using dialogue to reveal character and advance the plot
• Using descriptive language to paint vivid images in the reader’s mind

Poetry is about using creative and unexpected language to evoke emotions and ideas. Some of the most effective techniques for writing poetry include:

• Using figurative language like similes, metaphors, and personification to create vivid images and comparisons
• Experimenting with different forms like sonnets, limericks, free verse, and haiku to create different effects
• Using rhyme and rhythm to create a musical quality to the language
• Playing with the sounds of words to create alliteration and assonance

Nonfiction can include everything from memoirs and personal essays to academic and business writing. Some of the most effective techniques for writing nonfiction include:

• Using a clear and concise writing style that is easy to follow
• Organizing ideas logically and coherently
• Using research and data to support arguments and ideas
• Using anecdotes and personal experiences to add interest and connect with readers

Scripts and Plays

Scripts and plays require different techniques than other genres because they are meant to be performed rather than read. Some of the most effective techniques for writing scripts and plays include:

• Writing dialogue that sounds natural and realistic
• Creating compelling characters with distinct personalities and motivations
• Using stage directions to describe setting, actions, and emotions
• Structuring the story to create dramatic tension and build toward a climax

Songwriting

Songwriting is about using words and music to create a powerful emotional impact. Some of the most effective techniques for writing songs include:

• Creating a memorable melody that sticks in the listener’s head
• Writing lyrics that are simple, direct, and easy to sing along with
• Using rhyme and repetition to create a catchy hook
• Using metaphors and symbolism to create deeper meaning and emotional resonance

In conclusion, each genre requires its techniques to be effective. By understanding each genre’s unique demands and mastering the best techniques, writers can create compelling works that resonate with their readers or audience.

Creative writing is an art form that requires practice, dedication, and a willingness to take risks. Through various techniques, writers can learn to hone their craft and create compelling stories that captivate their readers. In this article, we have explored some of the most effective techniques successful writers use.

One of the most important techniques in creative writing is using descriptive language. By painting vivid pictures with words, writers can transport their readers to different places and times, creating a fully immersive experience. Another essential technique is character development, which involves creating believable and relatable characters that readers can connect with on an emotional level.

In addition to these techniques, writers can use various tools to enhance their writing. For example, using metaphors and similes can add depth and complexity to a story, while dialogue can help reveal character traits and advance the plot.

Finally, foreshadowing and other literary devices can help build tension and create a sense of anticipation in the reader.

Overall, creative writing is a complex and rewarding art form that requires a combination of skill, talent, and hard work. By using the techniques and tools discussed in this article, writers can improve their craft and create stories that resonate with readers. Whether you are a seasoned writer or just starting, there is always room for growth and improvement in creative writing.